|
|
|
|
Advertising Opportunities Permissions & Licensing Terms of Service Privacy Policy Copyright
|
|
||||||||||||||||||
| American Television, Situation Comedies
The second progeny of Will and Grace was the CBS sitcom Some of My Best Friends, which premiered in February, 2001 and starred Jason Bateman as Warren Fairbanks, a gay writer who needs someone to share his Greenwich Village apartment after his boyfriend moves out. The show was based on Tony Vitale's 1997 movie Kiss Me, Guido, and follows the movie's plot fairly closely. Warren places an advertisement in the local paper for a GWM (Gay White Male) roommate, and Bronx Italian hunk Frankie (Danny Nucci) responds--only he thinks that GWM stands for "Guy With Money." Jason Bateman described the show as a contemporary Odd Couple and, although the show featured no shortage of stereotypes (the flamboyant Vern, played by Alec Mapa, and the dimwitted macho Italian Pino, played by Michael DeLuise), the lead actors consciously attempted to give their characters a sense of normalcy. After a midseason start, however, Some of My Best Friends was given a summer hiatus and never returned. In fall 2003, amidst the clamor of political pundits debating the pros and cons of same-sex marriage, ABC, the former home of TV's pathbreaking Ellen, launched It's All Relative, the network's version of Will and Grace with a twist. It's All Relative centered around a long-term committed gay couple whose highly intelligent, Harvard-educated daughter, is determined to marry her working-class bartender boyfriend. Her boyfriend's father does not take kindly to gays, but for the sake of the kids, the future in-laws must figure out a way to get along. Craig Zadan, one of the show's co-executive producers, noted that the show's humor came from the conflict between blue-collar and snooty people, rather than from the conflict between gays and straights. According to the show's co-creator and co-writer Chuck Ranberg, It's All Relative traded in some degree of stereotyping for both gay and straight parents, but as Zadan noted in an Advocate interview, the goal of It's All Relative was to use stereotypes and break them down, all the while making sure that these stereotypes were blended with corresponding amounts of humanity. In fact one of the show's revolutionary qualities stemmed directly from breaking a powerful television stereotype by presenting a committed gay relationship normally and matter-of-factly, as an average, middle-class couple who cook, work, and pay the bills. The show was also revolutionary for its casting of two openly gay actors, Christopher Sieber and John Benjamin Hickey, in the roles of the gay couple. Hickey remarked to The Advocate that the fact both men are gay really added to the on-set chemistry. Unfortunately, and despite its promise, It's All Relative suffered from low ratings and was not renewed for a second season. Conclusion Throughout their history television sitcoms have held a mirror up to society, and in that mirror they have reflected the presence of gay, lesbian, bisexual, and transgendered people, often in distorted and unflattering ways, but occasionally in ways that acknowledge our humanity and complexity. Although sitcoms have long relied on problematic stereotypes for their humor, as the decades have progressed television viewers in general and queer viewers in particular have demanded a more varied palette of characters. By watching "classic TV" reruns alongside current television offerings, viewers can easily perceive crucial shifts in the representation of homosexuality and homosexuals. In the future, increasingly funny and honest queer portrayals in television sitcoms are likely.
|
|
||||||||||||||||||
arts >> Overview: American Television, Drama arts >> Overview: American Television, News arts >> Overview: American Television, Reality Shows arts >> Overview: American Television, Soap Operas arts >> Overview: American Television, Talk Shows arts >> Overview: Canadian Television arts >> Overview: Censorship in the Arts arts >> Ball, Alan arts >> Butler, Dan arts >> DeGeneres, Ellen arts >> De Rossi, Portia arts >> Flowers, Wayland social sciences >> Gay and Lesbian Alliance Against Defamation (GLAAD) arts >> Gilbert, Sara social sciences >> Gingrich, Candace literature >> Holleran, Andrew arts >> Keenan, Joe arts >> Kuehl, Sheila James arts >> Kulp, Nancy arts >> Lynch, Jane arts >> Lynde, Paul literature >> Maupin, Armistead arts >> Moorehead, Agnes arts >> Nixon, Cynthia arts >> Pierce, David Hyde arts >> Reilly, Charles Nelson arts >> Sargent, Dick arts >> Vilanch, Bruce arts >> Zadan, Craig (b. 1949), and Neil Meron (b. 1955)
|
|||||||||||||||||||
| Bibliography | ||
Buxton, Rodney. "Sexual Orientation and Television." The Museum of Broadcast Communications website. www.museum.tv. Frutkin, Alan James. "Will Power." Mediaweek 10 (September 11, 2000): 38-40. Goodridge, Mike. "Believe the Hype." The Advocate 823 (October 24, 2000): 89. _____. "Relatively Revolutionary: A Sitcom Featuring a Gay Couple With a Daughter--Shocking, or Just Good Business Sense? Both, Say Producers." The Advocate 900 (14 October 2003): 52-54. Gross, Larry. "What Is Wrong with This Picture? Lesbian Women and Gay Men on Television." Queer Words, Queer Images: Communication and the Construction of Homosexuality. R. J. Ringer, ed. New York: New York University Press, 1994. 143-156. Hart, Kylo-Patrick R. "Representing Gay Men on American Television." The Journal of Men's Studies 9.1 (2000): 59-79. Holleran, Andrew. "The Alpha Queen." The Gay and Lesbian Review 7.3 (2000): 65-66. Joyrich, Lynne. "Epistemology of the Console." Critical Inquiry 27 (2001): 439-467. Kaye, Lori. "Where Are the Funny Girls?" The Advocate 828 (November 21, 2000): 85-89. McCormick, Patrick. "Out of the Closet and into Your Living Room." U. S. Catholic 63.4 (1998): 45-49. Maupin, Armistead. "A Line That Commercial TV Won't Cross." The New York Times (January 9, 1994), sec. 2: 29. Millman, Joyce. "Joyce Millman On Television: Queertoons." Salon Online Magazine (August 3, 1998). www.salon.com Netzhammer, Emile C. and Scott A. Shamp. "Guilt By Association: Homosexuality and AIDS on Prime-Time Television." Queer Words, Queer Images: Communication and the Construction of Homosexuality. R. J. Ringer, ed. New York: New York University Press, 1994. 91-106. Turbide, Diane. "TV Highs and Lows: New Canadian Series Soar and Stumble." Maclean's 102.44 (October 30, 1989): 107.
|
| Citation Information | ||||
| Author: | Tipton, Nathan G. | |||
| Entry Title: | American Television, Situation Comedies | |||
| General Editor: | Claude J. Summers | |||
| Publication Name: | glbtq: An Encyclopedia of Gay, Lesbian,
Bisexual, Transgender, and Queer Culture |
|||
| Publication Date: | 2002 | |||
| Date Last Updated | July 9, 2007 | |||
| Web Address | www.glbtq.com/arts/am_tv_sitcoms.html | |||
| Publisher | glbtq, Inc. 1130 West Adams Chicago, IL 60607 |
|||
| Today's Date | ||||
| Encyclopedia Copyright: | © 2002-2006, glbtq, Inc. | |||
| Entry Copyright | © 2002, glbtq, Inc. | |||
|
This Entry Copyright © 2002, glbtq, Inc. www.glbtq.com
is produced by glbtq, Inc., 1130 West Adams Street, Chicago, IL
60607 glbtq™ and its logo are trademarks of glbtq, Inc. |