glbtq: an encyclopedia of gay, lesbian, bisexual, transgender & queer culture
social sciences
special features
about glbtq


   member name
   Forgot Your Password?  
Not a Member Yet?  

  Advertising Opportunities
  Permissions & Licensing
  Terms of Service
  Privacy Policy






Alpha Index:  A-B  C-F  G-K  L-Q  R-S  T-Z

Subjects:  A-B  C-E  F-L  M-Z

Asquith, Anthony (1902-1968)  

Discreet and refined are adjectives usually applied to director Anthony Asquith's films, which, for an international cinema-going public, continue to represent a certain quintessential "Britishness."

While his works focus on the psychological dilemmas of the upper class into which he was born, Asquith was nevertheless a pioneer in securing union benefits for the working-class men and women who perform the necessary if unglamorous jobs of the film industry. His characteristic discretion and refinement, moreover, were not merely a facet of his art, but rather a highly developed way of life for the gay son of a famous politician in a society in which homosexual acts were criminal.

Anthony Asquith was born in London on November 9, 1902. His parents were Herbert Asquith (later Earl of Oxford and Asquith), who was British Prime Minister from 1909 to 1916, and the witty Margot Tennant Asquith, a highly visible figure in London literary and social circles. The gay eccentric Stephen Tennant was a cousin, and contemporary actress Helena Bonham Carter is his great-niece. Small, effeminate, and hook-nosed, Asquith was nicknamed "Puffin" (or "Puff") as a child, because he reminded his mother of a bird of that species. The name remained with him for life.

Asquith was educated at Balliol College, Oxford, where he was very much an aesthete and where he first became interested in film. In 1925, after graduating, he became a founding member of the Oxford Film Society and traveled to the United States to learn cinematic techniques from the Hollywood studios. His social connections gave him a rapid start in the fledgling British film industry; he co-directed his first film Shooting Stars (1927) at twenty-five.

Asquith's early films, however, did not bring him success, as they were deemed too "arty" for the public's taste. His commercial breakthrough came with Pygmalion (co-directed with Leslie Howard, 1938), an adaptation of George Bernard Shaw's play. Soon thereafter, he embarked on a professional partnership with gay playwright Terence Rattigan, whose drawing-room dramas were then much in vogue.

Their collaboration began with an adaptation of Rattigan's hit comedy French without Tears (1939), and reached its high point with The Winslow Boy (1948) and The Browning Version (1951), the latter of which is memorable for Michael Redgrave's compelling portrayal of a teacher who has failed personally and professionally.

Other Asquith-Rattigan films include Quiet Wedding (1940), Uncensored (1942), Way to the Stars (1945), While the Sun Shines (1947), The Final Test (1953), The V.I.P.s (1963), and The Yellow Rolls-Royce (1965). In addition, Asquith also directed notable adaptations of Oscar Wilde's The Importance of Being Earnest (1952) and Shaw's The Doctor's Dilemma (1959) and The Millionairess (1960); war films such as We Dive at Dawn (1943) and Carrington, V.C. (1954); and psychological dramas such as Libel (1959).

Although his films are almost exclusively concerned with heterosexual subjects, some critics, particularly Stephen Bourne, argue that they are permeated with a gay sensibility.

Despite his privileged background, Asquith was a modest and unassuming man who was deeply concerned for those less powerful. For three decades he headed the British film technicians union and fought for workers' rights and government subsidies to the film industry. While many simply assumed his homosexuality, he was quite repressed in his personal life and apparently sublimated his desires into his films.

Anthony Asquith died in London after a long battle with cancer on February 20, 1968.

Patricia Juliana Smith


zoom in
Promotional advertisement for Pygmalion, Anthony Asquith's first major commercial success.
Contact Us
Join the Discussion
Related Entries
More Entries by this contributor
A Bibliography on this Topic

Citation Information
More Entries about The Arts
Popular Topics:

The Arts

Drag Shows: Drag Queens and Female Impersonators
Drag Shows: Drag Queens and Female Impersonators

Photography: Gay Male, Pre-Stonewall
Photography: Gay Male, Pre-Stonewall

Erotic and Pornographic Art: Gay Male
Erotic and Pornographic Art: Gay Male

New Queer Cinema

White, Minor

Halston (Roy Halston Frowick)


Winfield, Paul

McDowall, Roddy
McDowall, Roddy

Cadinot, Jean-Daniel
Cadinot, Jean-Daniel


   Related Entries
arts >> Overview:  Film

Since cinema began, Hollywood has been fascinated with finding ways of representing homosexuality.

literature >> Wilde, Oscar

Oscar Wilde is important both as an accomplished writer and as a symbolic figure who exemplified a way of being homosexual at a pivotal moment in the emergence of gay consciousness.


Bourne, Stephen. Brief Encounters: Lesbians and Gays in British Cinema 1930-1971. London: Cassell, 1996.

Minney, R. J. The Films of Anthony Asquith. South Brunswick: A. S. Barnes, 1976.

_____. "Puffin" Asquith: A Biography of the Hon. Anthony Asquith, Aesthete, Aristocrat, Prime Minister's Son and Film Maker. London: Frewin, 1973.

Noble, Peter. Anthony Asquith. London: British Film Institute, 1958.


    Citation Information
    Author: Smith, Patricia Juliana  
    Entry Title: Asquith, Anthony  
    General Editor: Claude J. Summers  
    Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual,
Transgender, and Queer Culture
    Publication Date: 2002  
    Date Last Updated October 27, 2002  
    Web Address  
    Publisher glbtq, Inc.
1130 West Adams
Chicago, IL   60607
    Today's Date  
    Encyclopedia Copyright: © 2002-2006, glbtq, Inc.  
    Entry Copyright © 2002, glbtq, Inc.  


This Entry Copyright © 2002, glbtq, Inc. is produced by glbtq, Inc., 1130 West Adams Street, Chicago, IL   60607 glbtq™ and its logo are trademarks of glbtq, Inc.
This site and its contents Copyright © 2002-2006, glbtq, Inc.  All Rights Reserved.
Your use of this site indicates that you accept its Terms of Service.