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Alpha Index:  A-B  C-F  G-K  L-Q  R-S  T-Z

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Bowie, David (b. 1947)  

David Bowie, also known as "The Dame," became a leading light in 1970s "glam rock," going on to enjoy international superstar status.

Bowie's career has a longevity matched only by such grand old men as the Rolling Stones, and his status as media icon is unmatched by any of his contemporaries. The 1974 "Omnibus" documentary film Cracked Actor, exploring the relationship between Bowie and his stage personae, was the first of its kind; his fiftieth birthday was celebrated to international press and media interest; and in 2000 the BBC released a remastered CD of early studio sessions, which had acquired archival status. In the same year he headlined the equally iconic Glastonbury music festival, taking easy precedence over a younger generation of musicians.

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Bowie was born David Robert Jones in the Brixton section of London on January 8, 1947, the son of a working class family that soon moved to Beckenham, a conservative town in Kent, where he grew up. A fan of Little Richard and jazz, Bowie began playing music at age 12, when his parents bought him a saxophone. He performed in a series of small-time groups while in high school, and then attended technical school, where he earned a degree in art. In 1965 he adopted the name David Bowie to avoid confusion with actor Davy Jones, who later became the "singer" for the made-for-TV band the Monkees.

Bowie's significance for culture is deeply contradictory, since his claims to be gay or bisexual were almost certainly never anything other than a publicity-seeking gambit. As a performer Bowie adopted a seemingly endless string of personae, from Major Tom to Ziggy Stardust and the Thin White Duke, and his theatrical stage presence owed much to early collaboration with gay mime artist Lindsay Kemp. Wearing elements of drag and heavy makeup was an intrinsic part of this theatricality, rather than the expression of any inner queerness.

It seems to have been Bowie's then manager, Ken Pitt, who decided to play the gay card. He arranged for Jeremy, the only gay publication in Britain at the time, to publish an article about Bowie in January 1970. This was followed in 1972 by an interview for Melody Maker in which the singer stated, "Yes, of course I'm gay, and always have been." In a 1976 Playboy interview he declared himself bisexual, rather than gay.

Such published statements were combined with such on-stage antics as fellating Mick Ronson's guitar and some very public partying with Mick Jagger, Lou Reed, and Iggy Pop. But Bowie's appropriation of a gay persona always existed alongside explicit warnings from the star himself that nothing he said was to be believed.

In 1971 he cautioned, "My songwriting is certainly not an accurate picture of how I think at all." This is just as well since close analysis of Bowie's "gay" lyrics reveals little gay pride. Lady Stardust sings, "songs of darkness and disgrace"; the gay seducer in "The Width of a Circle" has a "tongue swollen with devil's love," and after he "smelt the burning pit of fear" (you don't need to be Freud to spot an anal metaphor here!), the protagonist knows he will never "go down to the Gods again."

[Admittedly, however, many listeners have found Bowie's most overly gay song, "John, I'm Only Dancing," reassuring and positive. The song in effect says that it is okay to be whoever you are sexually.]

It is an indication of the repressive invisibility of gayness in 1970s Britain that, however cynical and (arguably) Bowie's flirtation with queer sexuality, it is remembered as liberating and exhilarating by many gay men in both the United Kingdom and the United States. In the words of Tom Robinson, "For gay musicians, Bowie was seismic. To hell with whether he disowned us later."

Tamsin Wilton

     

 
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A portrait of David Bowie by A. Homicz.
  
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arts >> Overview:  Music: Popular

Gay, lesbian, bisexual, and transgendered persons have had tremendous influence on popular music, though some musical genres have been more receptive to a homosexual presence than others.

arts >> Overview:  Rock Music

Although rock music has been closely associated with freedom of expression and rebelliousness, it has not been particularly welcoming to gay and lesbian performers.

arts >> Boy George (George O'Dowd)

A pop icon with a rich soulful voice, Boy George, who fronted the band Culture Club in the 1980s, managed to survive homophobia, drug addiction, and fame.

arts >> Halford, Rob

Rob Halford--dubbed "The Metal God" by fans and critics--is one of the most talented vocalists in heavy metal music and one of the few out artists in the genre.

arts >> Kemp, Lindsay

Mime artist, renegade, and magnetic stage performer, Lindsay Kemp has long had a cult status in alternative theater.

arts >> Little Richard (Richard Penniman)

A legendary figure in popular music, Little Richard, torn between his sternly religious upbringing and his homosexuality, denounced his rock and roll lifestyle at the height of his career.

arts >> Mercury, Freddie

The front man of one of the world's most popular rock groups, Queen, Freddie Mercury was noted for his flamboyant, gender-bending androgyny.

arts >> Reed, Lou

In the 1960s, 1970s, and 1980s, bisexual rock musician Lou Reed, pencil-thin, craggy, and dressed in tough leather or androgynous glitz, came to symbolize the rebellious outsider.

arts >> Robinson, Tom

British rocker and activist Tom Robinson was embraced by the gay rights movement in the late 1970s, but became the subject of controversy in the 1990s when he chose to live with a woman and become a father.

arts >> Scissor Sisters

The American pop band Scissor Sisters was spawned in New York City's gay club scene; frequently addressing issues of transgressive sexuality, the band has cultivated a large glbtq fan base.


    Bibliography
   

Gill, John. Queer Noises: Male and Female Homosexuality in Twentieth-Century Music. London: Cassell, 1995.

Reynolds, Simon, and Joy Press. The Sex Revolts: Gender, Rebellion and Rock'n'roll. London: Serpent's Tail, 1995.

Rock, Mick. Ziggy Stardust: Bowie 1972/1973. London: St Martin's Press, 1984.

Simpson, Mark. It's a Queer World. London: Vintage, 1996.

 

    Citation Information
         
    Author: Wilton, Tamsin  
    Entry Title: Bowie, David  
    General Editor: Claude J. Summers  
    Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual,
Transgender, and Queer Culture
 
    Publication Date: 2002  
    Date Last Updated September 17, 2007  
    Web Address www.glbtq.com/arts/bowie_d.html  
    Publisher glbtq, Inc.
1130 West Adams
Chicago, IL   60607
 
    Today's Date  
    Encyclopedia Copyright: © 2002-2006, glbtq, Inc.  
    Entry Copyright © 2002, glbtq, Inc.  
 

 

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