glbtq: an encyclopedia of gay, lesbian, bisexual, transgender & queer culture
home
arts
literature
social sciences
special features
discussion
about glbtq
   search

 
   Encyclopedia
   Discussion
 
 

   member name
  
   password
  
 
   
   Forgot Your Password?  
   
Not a Member Yet?  
   
JOIN TODAY. IT'S FREE!

 
  Advertising Opportunities
  Permissions & Licensing
  Terms of Service
  Privacy Policy
  Copyright

 

 

 

 

 
arts

Alpha Index:  A-B  C-F  G-K  L-Q  R-S  T-Z

Subjects:  A-B  C-E  F-L  M-Z

     
Duncan, Isadora (1878-1927)  

Free thinking, free spirited, free moving Isadora Duncan brought her bohemian feminist consciousness to the dance stage and changed the art of dance forever. Although some critics ridiculed her flowing, expressive movements and her leftist politics, Duncan brought flexibility and self-expression to the hidebound world of classical dance.

Duncan is known as the "mother of modern dance," but even ballet was influenced by the radical élan of her ideas. In many ways her life was tragic, but she left behind, not a sense of despair and loss, but the dynamic imagination of a true original.

Sponsor Message.

Duncan was the child of the radically transformative era at the end of the nineteenth century. Born to freethinking parents in San Francisco on May 26, 1877, she was mostly raised by her mother, a lover of music, literature, and the arts. Her mother earned money teaching piano lessons, and it was not long before Isadora, who learned to dance following the movements of the waves on the beaches near her home, was earning extra cash too, teaching dance to younger children in the neighborhood.

Duncan's influences were the movements she found in nature and the passion of classical Greek drama. She hated the rigid structures of ballet. She determined to create not only a new form of dance, but also a new outlook on dance, where expressive movement would be an integral part of every child's education, along with the usual academic subjects.

When Duncan was a teenager, she and her mother traveled to Chicago and New York, where she performed in theaters and vaudeville houses to less than enthusiastic audiences. It was not until 1900 when she went to Europe that she began to be taken seriously as a dancer. Although she began by performing at private parties, soon she was touring the major stages of Europe, galvanizing audiences with her "modern" dance.

At the beginning of the twentieth century, ballet had become a voyeuristic art, appealing largely to men who attended to watch women performing in skimpy (for the day) tutus. Isadora Duncan introduced the solo performance to dance audiences. Decrying restrictive women's clothing, she shed her corset and petticoats and danced barefoot in simple, flowing, Grecian-style tunics adorned with long, colorful scarves. Her dances concerned such subjects as motherhood, love, and grief, and her audiences were filled with women.

Almost as titillating as her radical approach to dance was Duncan's bohemian personal life. She was an outspoken socialist and advocate of women's rights who constantly challenged society's rules. Claiming she did not believe in marriage or monogamy, she had two children with two of her many male lovers. (Both children were drowned in an accident in 1913.)

She also attended Natalie Barney's Paris salons and had female lovers, among them writer Mercedes de Acosta, about whom she wrote, "My kisses like a swarm of bees / Would find their way between thy knees / And suck the honey from thy lips / Embracing thy too slender hips."

Duncan achieved her dream of creating a new, well-rounded form of education. She established schools of the Duncan method in Berlin, Paris, London, and Moscow. But her life was tragically cut short, when, at the age of 49, one of her flamboyant long scarves caught in the wheel of the sports car she was driving and strangled her.

Tina Gianoulis

     

 
zoom in
Two photographs of Isadora Duncan.
  
 interact  
   
Contact Us
 
Join the Discussion
 
 find 
   
Related Entries
 
More Entries by this contributor
 
A Bibliography on this Topic

 
Citation Information
 
More Entries about The Arts
 
   
spacer
Popular Topics:

The Arts

 
Drag Shows: Drag Queens and Female Impersonators
Drag Shows: Drag Queens and Female Impersonators


Photography: Gay Male, Pre-Stonewall
Photography: Gay Male, Pre-Stonewall


Erotic and Pornographic Art: Gay Male
Erotic and Pornographic Art: Gay Male


New Queer Cinema


White, Minor


Halston (Roy Halston Frowick)


Surrealism
Surrealism


Winfield, Paul


McDowall, Roddy
McDowall, Roddy


Cadinot, Jean-Daniel
Cadinot, Jean-Daniel

 
 


   Related Entries
  
arts >> Overview:  Ballet

The enduring and persistent connection between ballet and male homosexuality is undeniable and may be related to the art's remarkably masculine provenance.

arts >> Overview:  Dance

Artistic dance has proven to be a haven for glbtq people, who have made significant contributions in almost every area, including as choreographers, performers, and teachers.

arts >> Acosta, Mercedes de

Poet, playwright, screenwriter, costume designer, and memoirist, Mercedes de Acosta is remembered today for her love affairs with some of the most glamorous women of her time.

arts >> Allan, Maud

Canadian-born Maud Allan achieved fame as the "Salome Dancer," but is best remembered for a libel suit she brought against a newspaper publisher for alleging that she was a lesbian.

literature >> Barney, Natalie Clifford

In addition to being the muse and inspiration of other writers, American expatriate Natalie Barney, known as the Amazon, was a poet, memoirist, and epigrammatist in her own right.

arts >> Duse, Eleonora

One of the greatest actresses of her day, Eleonora Duse was also known for her tempestuous love affairs, primarily with men, but also with women.

arts >> Johnston, Frances Benjamin

Pioneering photographer Frances Benjamin Johnston served as the official White House photographer during several administrations and earned fame as a photojournalist and documentary photographer.

arts >> Wheeler, Monroe

Publisher, book designer, and museum director, Monroe Wheeler was a leading figure in New York artistic and gay communities of the 1950s and 1960s, alongside his partner of sixty-eight years, the writer Glenway Wescott. 


    Bibliography
   

Blair, Fredrika. Isadora: Portrait of the Artist as a Woman. New York: Harper, 1987.

Daly, Ann. Done into Dance: Isadora Duncan in America. Bloomington: Indiana University Press, 1995.

Desti, Mary. The Untold Story: The Life of Isadora Duncan. Cambridge, Mass.: Da Capo Press, 1981.

Duncan, Isadora. My Life. 1927. New York: Norton, 1996.

"Just Call her Don Juanita." The Advocate (April 25, 2000): 22.

 

    Citation Information
         
    Author: Gianoulis, Tina  
    Entry Title: Duncan, Isadora  
    General Editor: Claude J. Summers  
    Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual,
Transgender, and Queer Culture
 
    Publication Date: 2002  
    Date Last Updated September 10, 2006  
    Web Address www.glbtq.com/arts/duncan_i.html  
    Publisher glbtq, Inc.
1130 West Adams
Chicago, IL   60607
 
    Today's Date  
    Encyclopedia Copyright: © 2002-2006, glbtq, Inc.  
    Entry Copyright © 2002, glbtq, Inc.  
 

 

This Entry Copyright © 2002, glbtq, Inc.

www.glbtq.com is produced by glbtq, Inc., 1130 West Adams Street, Chicago, IL   60607 glbtq™ and its logo are trademarks of glbtq, Inc.
This site and its contents Copyright © 2002-2006, glbtq, Inc.  All Rights Reserved.
Your use of this site indicates that you accept its Terms of Service.