glbtq: an encyclopedia of gay, lesbian, bisexual, transgender & queer culture
home
arts
literature
social sciences
special features
discussion
about glbtq
   search

 
   Encyclopedia
   Discussion
 
 

   member name
  
   password
  
 
   
   Forgot Your Password?  
   
Not a Member Yet?  
   
JOIN TODAY. IT'S FREE!

 
  Advertising Opportunities
  Permissions & Licensing
  Terms of Service
  Privacy Policy
  Copyright

 

 

 

 

 
arts

Alpha Index:  A-B  C-F  G-K  L-Q  R-S  T-Z

Subjects:  A-B  C-E  F-L  M-Z

     
Grant, Duncan (1885-1978)  

Duncan Grant was one of the major British artists of the twentieth century, as well as the sexual catalyst of that remarkable group of friends, the Bloomsbury Circle, which included, among others, writer Lytton Strachey and economist John Maynard Keynes, who were to be among Grant's lovers.

Born Duncan James Corrow Grant in Tothiemurchus, Scotland on January 21, 1885, into an artistically cultivated Scottish family prominent in governing the British empire, Grant as a child recognized his attraction to other boys and actively sought out sexual encounters with them.

Sponsor Message.

Grant spent his childhood in India but returned to Britain in 1893. He studied art briefly at the Westminster School of Art and at the Slade School, before traveling to Paris in 1906, where he studied with Jacques-Emile Blanche and became acquainted with Picasso and other influential artists of the time. In 1910, he returned to England to exhibit as a post-impressionist and then experimented with abstraction.

Acting on his belief in "art on any surface," he painted on walls, tables, tea trays, and other objects, pursuing an ideal of art in everyday life. In 1913, with art critic and fellow Bloomsbury figure Roger Fry, Grant founded the Omega Workshops, which changed the course of applied art and design in Britain.

Famous for his use of color, he was called "the Matisse of Britain." His career flourished and his work was widely commissioned and collected by patrons, including Queen Elizabeth (the late Queen Mother), as well as by museums throughout the world.

The high point of Grant's fame was in 1936, when he was commissioned to decorate the ocean liner, the Queen Mary (though his designs were ultimately rejected as too avant garde). But, as art historian Kenneth Clark has observed, "no one who loved life and visual experience as much as Duncan could have remained an abstract painter for long, and very soon flowers began to appear on his canvases, and seductive [male] nudes in pastel . . . . "

However, just as Grant abandoned abstraction, soon after World War II, the abstract school triumphed. Nevertheless, Grant continued painting in a representational style, where his unabashed depictions of the male figure declared his sexual preference.

Throughout his life, Grant produced sketches and paintings. When he was commissioned to decorate the Russell Chantry in Lincoln Cathedral in the late 1950s, he used his lover, the youthful, blond, physically beautiful Paul Roche, as the model for the face and body of Christ.

Simon Watney has speculated that "Perhaps it was this element of frank sensuality that led to the closure of the Chantry in the 1960s, and its conversion to a store-room, where the murals languished unseen behind heaps of clerical detritus." Fortunately, the chapel has recently been restored.

Despite the oppressiveness of British law and social attitudes condemning homosexuality, Grant lived openly as a gay man. "Never be ashamed," he liked to say. He remarked that his moral sensibility came from the Regency period, the pre-Victorian era noted for its relaxed sexual mores.

Although unabashedly homosexual in orientation, Grant was the object of desire of men and women alike. The painter Vanessa Bell, for example, with whom Grant and her husband art critic Clive Bell, shared a Sussex farmhouse for many years, fell in love with him.

Grant reluctantly yielded when she climbed into bed with him. She became pregnant and, in 1918, gave birth to a daughter she named Angelica. Grant neither acknowledged nor denied his paternity. However, when Angelica was a teenager, Vanessa told her that Grant was her father.

The young woman was traumatized with outrage and bitterness. After her mother's revelation, Angelica initiated an affair with and later married writer David Garnett, whom she knew to have been Grant's lover at the time of her conception.

Grant died peacefully on May 9, 1978, at the age of 92, in the arms of his companion, the poet Paul Roche. Grant's will divided his estate, including the copyrights to his work, between Roche and Angelica Garnett.

Unfortunately, Garnett has used this power to restrict and generally deny permission to reproduce Grant's work. As a result, the artist remains something of a ghostly figure, despite the resurgent interest in representational art and the perennial fascination with Bloomsbury.

Douglas Blair Turnbaugh

     

 
zoom in
A self portrait by Duncan Grant.
  
 interact  
   
Contact Us
 
Join the Discussion
 
 find 
   
Related Entries
 
More Entries by this contributor
 
A Bibliography on this Topic

 
Citation Information
 
More Entries about The Arts
 
   
spacer
Popular Topics:

The Arts

 
Drag Shows: Drag Queens and Female Impersonators
Drag Shows: Drag Queens and Female Impersonators


Photography: Gay Male, Pre-Stonewall
Photography: Gay Male, Pre-Stonewall


Erotic and Pornographic Art: Gay Male
Erotic and Pornographic Art: Gay Male


New Queer Cinema


White, Minor


Halston (Roy Halston Frowick)


Surrealism
Surrealism


Winfield, Paul


McDowall, Roddy
McDowall, Roddy


Cadinot, Jean-Daniel
Cadinot, Jean-Daniel

 
 


   Related Entries
  
literature >> Overview:  Bloomsbury

The Bloomsbury circle's open acceptance of erotic license and hostility toward social convention are important elements in the history of homosexuality among the English upper classes in the first half of the twentieth century.

arts >> Overview:  European Art: Twentieth Century

A large number of significant twentieth-century European artists focused on gay, lesbian, bisexual, and transgender themes, making such concerns crucial to the understanding of twentieth-century European art.

arts >> Overview:  Latin American Art

Gay and lesbian Latin American artists frequently use their art to portray their desire for sexual and political liberation, often combining traditional subject matter with personal symbols and insights to stress their longing for acceptance.

arts >> Overview:  Salons

Often overlooked in mainstream publications on the cultural history of salons is that many of the salon hostesses and attendees were lesbian, bisexual, or gay.

arts >> Overview:  Set and Costume Design

Set and costume design for stage and film are fields that have attracted a large number of talented gay men and lesbians.

social sciences >> Overview:  United Kingdom II: 1900 to the Present

Twentieth-century efforts to reform British law and public opinions about homosexuality met with mixed results, but at the beginning of the twenty-first century the United Kingdom has emerged as a leader in recognizing the rights of its glbtq citizens.

arts >> Doone, Rupert

English dancer, choreographer, producer, and teacher of drama Rupert Doone had a varied and distinguished artistic career.

arts >> Overview:  Interior Design

The career of interior design has been stereotyped as gay; although this stereotype often invites ridicule, it stems from a cultural perception that gay men may have special skills in the area of artistic design and fashion trends.

social sciences >> Keynes, John Maynard

The thought of John Maynard Keynes, the most influential economist of the twentieth century, was influenced by his experience as a homosexual.

arts >> Pisis, Filippo Tibertelli De

Avant-garde Italian artist Filippo De Pisis is best known for his cityscapes, still lifes, and voluptuous male nudes.

literature >> Strachey, Lytton

The English biographer and essayist Lytton Strachey spoke openly of his homosexuality to his Bloomsbury friends, but his openly gay works were published only after his death.


    Bibliography
   

Roche, Paul. With Duncan Grant in Southern Turkey. Renfrew, Scotland: Honeyglen, 1982.

Shone, Richard. Bloomsbury Portraits. Oxford: Phaidon, 1976.

Turnbaugh, Douglas Blair. Duncan Grant and the Bloomsbury Group. Seacaucus, N.J.: Lyle Stuart; London: Bloomsbury, 1987.

_____. Private: The Erotic Art of Duncan Grant. London: Gay Men's Press, 1989.

Watney, Simon. The Art of Duncan Grant. London: John Murray, 1990.

 

    Citation Information
         
    Author: Turnbaugh, Douglas Blair  
    Entry Title: Grant, Duncan  
    General Editor: Claude J. Summers  
    Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual,
Transgender, and Queer Culture
 
    Publication Date: 2002  
    Date Last Updated October 10, 2009  
    Web Address www.glbtq.com/arts/grant_d.html  
    Publisher glbtq, Inc.
1130 West Adams
Chicago, IL   60607
 
    Today's Date  
    Encyclopedia Copyright: © 2002-2006, glbtq, Inc.  
    Entry Copyright © 2002, glbtq, Inc.  
 

 

This Entry Copyright © 2002, glbtq, Inc.

www.glbtq.com is produced by glbtq, Inc., 1130 West Adams Street, Chicago, IL   60607 glbtq™ and its logo are trademarks of glbtq, Inc.
This site and its contents Copyright © 2002-2006, glbtq, Inc.  All Rights Reserved.
Your use of this site indicates that you accept its Terms of Service.