glbtq: an encyclopedia of gay, lesbian, bisexual, transgender & queer culture
home
arts
literature
social sciences
special features
discussion
about glbtq
   search

 
   Encyclopedia
   Discussion
 
 

   member name
  
   password
  
 
   
   Forgot Your Password?  
   
Not a Member Yet?  
   
JOIN TODAY. IT'S FREE!

 
  Advertising Opportunities
  Permissions & Licensing
  Terms of Service
  Privacy Policy
  Copyright

 

 

 

 

 
arts

Alpha Index:  A-B  C-F  G-K  L-Q  R-S  T-Z

Subjects:  A-B  C-E  F-L  M-Z

     
Hammond, Harmony Lynn (b. 1944)  

Harmony Hammond is a significant artist whose lesbian feminism is integrated into her painting and sculpture, teaching, writing, and curatorial work.

She arrived in New York in August of 1969, shortly after the Stonewall riots. Born in Chicago in 1944, she had a B.F.A. in painting from the University of Minnesota and a gay artist husband whom she had married at the age of nineteen. She had also spent time in France and Belgium, where she was influenced by collections of African, Oceanic, and Native American art.

Sponsor Message.

In New York Hammond divorced her husband and had a daughter. She came out as a lesbian in 1973.

In 1972 she helped found the A.I.R. feminist co-op gallery, where she held her first solo show. After this exhibition, she was invited to lecture as a visiting artist in schools and universities. She began publishing essays on art and began to talk with other lesbian artists and to collect slides of their work. Since the 1970s, Hammond has maintained a multidimensional career as artist, teacher, writer, and curator.

Hammond's early political influences included Sagaris, an educational institute for radical feminist thought where she taught along with such lesbian leaders as Rita Mae Brown, Mary Daly, Dorothy Allison, Charlotte Bunch, Ti-Grace Atkinson, and Marilyn Webb.

She was also influenced by lesbian theorist Monique Wittig and by her experience as a co-founder of Heresies: A Feminist Publication on Art and Politics (1976). Hammond co-edited the "Lesbian art and artists" issue of Heresies in 1977.

In 1984, Hammond moved to New Mexico. From 1988 to 2005, she taught at the University of Arizona, where she was Professor of Art.

Hammond's voice is a powerful and affirming one for lesbians. Since the time she supported herself and her daughter by storytelling in Brooklyn daycare centers, she has written about feminism and the martial arts and about lesbian art and art history.

Her Lesbian Art in America: A Contemporary History (2000) is the first history of lesbian art in the United States. Including profiles of eighteen prominent lesbian artists, Lesbian Art in America was the recipient of a Lambda Literary Award in the category of Lesbian Studies.

In the early 1990s she described herself in New Feminist Criticism as "an artist, a feminist, a lesbian, middle-class, white. When I'm good, I'm an artist. When I'm bad I'm a feminist. And when I'm horrid, I'm a goddam dyke. I feel like being horrid these days. Given the current political climate around art and the threat of being artistically silenced for being and female, I can't afford to be quiet or to let others define who I am and what kind of art I may or may not make."

Throughout her career Hammond has expressed her artistic and political sensibility within the boundaries of modernist and abstract forms. Her works tend to be substantial, intensely colored, and ambiguous.

From Braided Floorpiece No. 1 (1972), one of her circular paintings that are placed on the floor and reference braided rugs, to her abstract painting Untitled (Buckets) (1995), which incorporates found objects that refer to rural women, she has consistently challenged art historical hierarchies that divide art from craft and achievement identified as male from that identified as female.

Hammond has stated that her wrapped rag sculptures of the late 1970s and early 1980s were intended to create a lesbian sensual/sexual presence in the world, where the body is "referenced from a combination of abstract form, and the associations and physical manipulations of the materials themselves."

Kudzu (1981), for example, is 7½ x 7½ feet and looks like a giant, partial, padded ribcage, rife with associations of breathing, breathlessness, and staunch presence. It may also refer to martial arts concepts of chi and to oriental script. The materials include cloth, acrylic, gesso, wood, rhoplex, wire, wax, glitter, and charcoal, each with its own visual and tactile associations with the erotic.

Hammond's curatorial work began with an early and significant lesbian exhibition, A Lesbian Show, at the 112 Greene Street Workshop in New York City (1978). Her 1999 exhibit Out West for Plan B Evolving Arts, Santa Fe, was very well received.

Marian Evans

     

 
zoom in
Harmony Hammond in 2005. Photograph by Elizabeth Hess, courtesy Harmony Hammond.
  
 interact  
   
Contact Us
 
Join the Discussion
 
 find 
   
Related Entries
 
More Entries by this contributor
 
A Bibliography on this Topic

 
Citation Information
 
More Entries about The Arts
 
   
spacer
Popular Topics:

Social Sciences

 
Stonewall Riots
Stonewall Riots


Gay Liberation Front


The Sexual Revolution, 1960-1980
The Sexual Revolution, 1960-1980


Leather Culture


Anthony, Susan B.
Anthony, Susan B.


Africa: Sub-Saharan, Pre-Independence


Androgyny
Androgyny


Russia


Computers, the Internet, and New Media


Radicalesbians

 
 


   Related Entries
  
arts >> Overview:  American Art: Lesbian, Post-Stonewall

Since Stonewall, lesbian artists in America, from installation artists to filmmakers and photographers to performance artists and painters, have become increasingly diverse and visible.

arts >> Overview:  Contemporary Art

Contemporary Art, which designates new currents in art since 1970, is identified with postmodernism; during this period an art addressing gay and lesbian identity emerged.

literature >> Brown, Rita Mae

Lesbian poet and novelist Rita Mae Brown, best known for the highly successful Rubyfruit Jungle, resists neat categorization.

social sciences >> Bunch, Charlotte

American activist and academic Charlotte Bunch is a key player in the movement for international human rights for women.

social sciences >> Daly, Mary

Radical feminist philosopher, theologian, and linguist, Mary Daly is an outspoken lesbian-feminist separatist who has provoked outrage by challenging established ideas and institutions that she considers destructive to women's power and creativity.

literature >> Wittig, Monique

The controversial lesbian author and theorist Monique Wittig has produced some of the most challenging fictional and theoretical work of second-wave feminism.


    Bibliography
   

Brown, Betty Ann. "Hammond, Harmony." Dictionary of Women Artists. Delia Gaze, ed. London and Chicago: Fitzroy Dearborn, 1997. 635-637.

Hammond, Harmony. "A Space of Infinite and Pleasurable Possibilities: Lesbian Self-representation in Visual Art." New Feminist Criticism: Art Identity Action. Joanna Frueh, Cassandra Langer, and Arlene Raven, eds. New York, Harper Collins, 1994. 97-131.

______. Lesbian Art in America: A Contemporary History. New York: Rizzoli International, 2000.

_____. www.harmonyhammond.com

King, Sarah. "Harmony Hammond at Linda Durham." Art in America 87.2 (February 1999): 117-118.

Lippard, Lucy. "Binding/Bonding." Art in America 70.4 (April 1982): 112-118.

 

    Citation Information
         
    Author: Evans, Marian  
    Entry Title: Hammond, Harmony Lynn  
    General Editor: Claude J. Summers  
    Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual,
Transgender, and Queer Culture
 
    Publication Date: 2002  
    Date Last Updated November 28, 2008  
    Web Address www.glbtq.com/arts/hammond_hl.html  
    Publisher glbtq, Inc.
1130 West Adams
Chicago, IL   60607
 
    Today's Date  
    Encyclopedia Copyright: © 2002-2006, glbtq, Inc.  
    Entry Copyright © 2002, glbtq, Inc.  
 

 

This Entry Copyright © 2002, glbtq, Inc.

www.glbtq.com is produced by glbtq, Inc., 1130 West Adams Street, Chicago, IL   60607 glbtq™ and its logo are trademarks of glbtq, Inc.
This site and its contents Copyright © 2002-2006, glbtq, Inc.  All Rights Reserved.
Your use of this site indicates that you accept its Terms of Service.