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| Hockney, David (b. 1937)
Schlesinger figured prominently in Hockney's images of the late 1960s and early 1970s. Jack Hazan's film of 1972, A Bigger Splash, focused on the end of the lovers' relationship. At the same time that he was involved in his first serious relationship, Hockney began to paint a series of double portraits of couples. That series would include paintings of writer Christopher Isherwood and painter Don Bachardy in their Santa Monica home (1968) and of art curator Henry Geldzahler and Christopher Scott in their New York City apartment (1969). Both of these double portraits assumed iconic status in the 1970s for portraying gay male couples in an everyday domestic routine, as if reaching such a stage were as simple for homosexuals as for heterosexuals. In 1967, Hockney illustrated a limited edition of fourteen poems by C. P. Cavafy. These etchings beautifully capture the longing and passion of the Greek poet and demonstrate Hockney's accomplishment as a graphic artist. Hockney's first portraits of archetypal slim, tanned, and sexy California boys may have created open-mouthed dismay for their unapologetic homoeroticism when he first exhibited them, but with time such paintings have assumed honored places in late twentieth-century art history. The painting of the naked and alluring Peter Schlesinger entitled The Room, Tarzana (1967) is a particularly important example. Nude portraits of subsequent partners Gregory Evans (sprawling against pillows, clad only in gym socks [1976]) and Ian Falconer (swimming underwater in a 1982 Polaroid collage) have also been greeted as works of art rather than as scandals. An important characteristic of Hockney is his susceptibility to stimulus by new media and fresh subjects. The abandon and astonishing invention with which he hurls himself into explorations of all available means to depict the world around him are key features of his continuing growth as an artist. Over the years he has moved easily from oil paints to acrylics, from pen and ink drawing to etching, from the formed dyed paper technique of his 1978 Paper Pools series to photographic collages, from Cubist-inspired paintings to designing innovative sets for operas as different as Tristan und Isolde and The Magic Flute. He has, however, always remained a storyteller celebrating what brings him pleasure. "My sources are classic, or even epic, themes, landscapes of foreign lands, beautiful people, love, propaganda and major incidents [of my own life]," he says. In his self-assured quest to grow as an artist in his own way, Hockney has succeeded in convincing large numbers of people to share his view that "Cézanne's apples are lovely and very special, but what finally can compare to the image of another human being?"
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arts >> Overview: American Art: Gay Male, 1900-1969 arts >> Overview: American Art: Gay Male, Post-Stonewall arts >> Overview: Contemporary Art arts >> Overview: European Art: Eighteenth Century arts >> Overview: European Art: Twentieth Century social sciences >> Overview: Los Angeles arts >> Overview: Photography: Gay Male, Post-Stonewall arts >> Overview: Set and Costume Design arts >> Overview: Subjects of the Visual Arts: Bathing Scenes arts >> Angus, Patrick arts >> Bachardy, Don literature >> Cavafy, C. P. arts >> Clark, Ossie literature >> Isherwood, Christopher arts >> Jansson, Eugène Frederik arts >> Kemp, Lindsay arts >> Michelangelo Buonarroti arts >> Orphanos, Stathis (b.1940), and Sylvester, Ralph (b.1934) arts >> Richardson, Tony arts >> Roberts, Mel literature >> Whitman, Walt
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| Bibliography | ||
Adam, Peter. David Hockney and His Friends. Bath, England: Absolute Press, 1997. Hockney, David. David Hockney by David Hockney. Nikos Stangos, ed. London: Thames & Hudson, 1976. _____. Paper Pools. Nikos Stangos, ed. New York: Abrams, 1980. _____. That's the Way I See It. Nikos Stangos, ed. San Francisco: Chronicle Books, 1993. _____, and R.B. Kitaj. "R.B. Kitaj and David Hockney Discuss the Case for a Return to the Figurative." The New Review 3.34-35 (January-February 1977): 75-77. _____, with text by Lawrence Weschler. Cameraworks. New York: Knopf, 1984. Joyce, Paul. Hockney on Photography: Conversations with Paul Joyce. New York: Harmony Books, 1988. Livingstone, Marco. David Hockney. New York: Holt, Rinehart & Winston, 1981; new English edition: London: Thames & Hudson, 1996. Webb, Peter. Portrait of David Hockney. New York: E.P. Dutton, 1988.
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| Citation Information | ||||
| Author: | McFarland, John | |||
| Entry Title: | Hockney, David | |||
| General Editor: | Claude J. Summers | |||
| Publication Name: | glbtq: An Encyclopedia of Gay, Lesbian,
Bisexual, Transgender, and Queer Culture |
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| Publication Date: | 2002 | |||
| Date Last Updated | December 20, 2004 | |||
| Web Address | www.glbtq.com/arts/hockney_d.html | |||
| Publisher | glbtq, Inc. 1130 West Adams Chicago, IL 60607 |
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| Encyclopedia Copyright: | © 2002-2006, glbtq, Inc. | |||
| Entry Copyright | © 2002, glbtq, Inc. | |||
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