glbtq: an encyclopedia of gay, lesbian, bisexual, transgender & queer culture
social sciences
special features
about glbtq


   member name
   Forgot Your Password?  
Not a Member Yet?  

  Advertising Opportunities
  Permissions & Licensing
  Terms of Service
  Privacy Policy






Alpha Index:  A-B  C-F  G-K  L-Q  R-S  T-Z

Subjects:  A-B  C-E  F-L  M-Z

Bookmark and Share
McKellen, Sir Ian (b. 1939)  
page: 1  2  

While Sir Ian McKellen is certainly not the first gay British subject to be knighted by his monarch, he is nonetheless the first to receive this honor after making a public acknowledgement of his homosexuality. Ironically, McKellen's knighthood became a greater issue of controversy within the British gay cultural community than in the mainstream.

Ian Murray McKellen, arguably the finest Shakespearean actor of his generation, was born May 25, 1939, in Burnley, Lancashire. His earliest acting experiences came while he was yet in grammar school. He attended St Catharine's College, University of Cambridge, on scholarship and earned a baccalaureate degree in English in 1961.

While at Cambridge, he performed in numerous student dramatic productions, which earned him an acting apprenticeship at the Belgrade Theatre in Coventry, where he made his professional acting debut in 1961. Over the next three years, he played a wide variety of roles in various regional repertory theaters.

He made his London debut in 1964, as Godfrey in James Saunders's A Scent of Flowers, for which role he received the Clarence Derwent Award for best supporting actor.

In 1965, McKellen made the first of many appearances at the National Theatre, London, as Claudio in Franco Zeffirelli's production of Shakespeare's Much Ado About Nothing. His film debut came the following year in Waris Hussein's A Touch of Love, which featured a screenplay by McKellen's friend from Cambridge, Margaret Drabble; in the film, based on Drabble's novel The Millstone, McKellen played a gay character opposite Sandy Dennis.

During the 1960s, McKellen's career branched out into stage direction as well, at first in regional theatres. In 1972, he directed his first London production, a revival of Joe Orton's The Erpingham Camp; later that year he co-founded the Actors' Company, a group based on the principle of equality among and management by its members.

McKellen's debut with the Royal Shakespeare Company came in 1974, with his performance in the title role in Christopher Marlowe's Doctor Faustus; other roles with the company include Romeo, Leontes (in A Winter's Tale), Macbeth, and Sir Toby Belch (Twelfth Night).

Over the course of his distinguished career on the British stage, he has received the prestigious Olivier Award five times, and in 1981 received the Tony Award for his portrayal of Mozart's nemesis Salieri in the Broadway production of Peter Shaffer's Amadeus.

Until the 1980s, McKellen's career focused primarily on the stage, a medium in which he remains energetically involved. In 1981, he made his first film appearance in a starring role, as D. H. Lawrence in Priest of Love.

Other major parts followed in Plenty (1985) and Scandal (1989). In the latter film, he played the disgraced 1960s British cabinet member John Profumo (a role a number of other British actors turned down) because, as McKellen states, he wanted to prove after coming out publicly that he could convincingly play a character remembered only for being a "raging heterosexual."

While McKellen had quietly lived a gay life for many years, he came out during the course of a 1988 British radio program in response to the host's comments. He has subsequently been active as a member of Arts Lobby against Section 28 (British legislation, finally repealed in 2003, that forbade "intentional promotion of homosexuality" by local governments), and he co-founded the gay lobbying group Stonewall.

The Queen's 1991 New Years Honours List named McKellen a Knight Commander of the British Empire for services to the arts. Yet, in spite of his highly visible work as a gay activist, his knighthood was the source of considerable controversy and divisiveness within days of its announcement, as director Derek Jarman, then dying of AIDS, publicly and bitterly denounced him.

Jarman equated McKellen's acceptance of the honor with collaboration with the decidedly homophobic Tory government of Prime Minister Margaret Thatcher. This polemic was countered almost immediately by an open letter in The Guardian, signed by such noted British gay and lesbian artists as Simon Callow, Nancy Diuguid, Stephen Fry, Bryony Lavery, John Schlesinger, and Antony Sher.

Despite this controversy, McKellen has remained a highly visible champion of gay rights, and has used his prominence as an actor to draw attention to the social intolerance that homosexuals routinely bear.

    page: 1  2   next page>  
zoom in
A photograph of Ian McKellen in New Zealand by Stefan Servos.
Contact Us
Join the Discussion
Related Entries
More Entries by this contributor
A Bibliography on this Topic

Citation Information
More Entries about The Arts
Popular Topics:


Williams, Tennessee
Williams, Tennessee

Literary Theory: Gay, Lesbian, and Queer

The Harlem Renaissance
The Harlem Renaissance

Romantic Friendship: Female
Romantic Friendship: Female

Feminist Literary Theory

American Literature: Gay Male, 1900-1969
American Literature: Gay Male, 1900-1969

Erotica and Pornography
Erotica and Pornography

Mishima, Yukio
Mishima, Yukio

Sadomasochistic Literature

Beat Generation
Beat Generation




This Entry Copyright © 2002, glbtq, Inc. is produced by glbtq, Inc., 1130 West Adams Street, Chicago, IL   60607 glbtq™ and its logo are trademarks of glbtq, Inc.
This site and its contents Copyright © 2002-2006, glbtq, Inc.  All Rights Reserved.
Your use of this site indicates that you accept its Terms of Service.