|
|
|
|
Advertising Opportunities Permissions & Licensing Terms of Service Privacy Policy Copyright
|
|
||||||||||||||||||
| Salons
Beach and her lover Adrienne Monnier, owner of her own bookstore, La Maison des Amis de Livres, gave continued financial as well as moral support to the writers who frequented their bookstores. As a testimony to the gratitude that her clientele felt for Beach's endeavors on their behalf, they rallied to offer their assistance when Beach herself fell upon hard financial times. Their aid allowed Shakespeare & Company to stay in operation until Nazi occupation forced the shop to close down for good in 1941. "Movers and Shakers": Mabel Dodge Luhan's American Salon Mabel Dodge Luhan, a wealthy arts patron who knew Natalie Barney from boarding school in Paris, returned to America and later established a salon in her 23 Fifth Avenue apartment, just on the edge of Greenwich Village in New York City. This salon attracted many avant-garde artists and other members of New York's radical Bohemian subculture. Although only in existence from 1912 to 1914, Luhan's salon became one of the most famous in the United States. Present at her events were birth control advocate Margaret Sanger, critic and novelist Carl Van Vechten, and journalist John Reed, among many others. Although not a gifted conversationalist or artist herself, Luhan seemed to have a gift for accumulating the best and the brightest around her. As one might expect, the evenings at Luhan's salon attracted a colorful crowd where, as Van Vechten described, "ladies with bobbed hair and mannish cut garments" sat alongside men in evening dress and workmen's clothes. Although primarily heterosexual, Luhan frankly details her passionate physical encounters with young women during her youth in her autobiography Intimate Memories (1933). It was in these memoirs that she dubbed her salon attendees "the movers and shakers" of history. The Bloomsbury Group After the death of their father in 1904 and before their marriages, sisters Virginia and Vanessa Stephen (later Virginia Woolf and Vanessa Bell) opened their home to a select circle of friends known as the Bloomsbury Group, named for the London district where they lived. Because of its predominance of gay and bisexual members, the group was disparagingly referred to as "Bloomsbuggers." The Bloomsbury salon expanded after the marriages of the sisters and came to exert an important influence on British art and literature in the twentieth century. Among the collection of friends who gathered at various times in Bloomsbury could be counted novelist E. M. Forster, biographer Lytton Strachey, economist John Maynard Keynes, and artists Duncan Grant and Dora Carrington. Based on a mutual interest in the arts and a growing disdain for the social and sexual restrictions of the Victorian era, these meetings significantly affected the development of modernist literature and art in early twentieth-century England.
|
|
||||||||||||||||||
literature >> Barney, Natalie Clifford literature >> Beach, Sylvia arts >> Carrington, Dora literature >> Forster, E. M. arts >> Grant, Duncan literature >> Hemingway, Ernest social sciences >> Keynes, John Maynard literature >> Proust, Marcel literature >> Sappho arts >> Squire, Maud Hunt (1873-1955) and Ethel Mars (1876-1956) literature >> Stein, Gertrude literature >> Strachey, Lytton literature >> Van Vechten, Carl literature >> Vivien, Renée literature >> Woolf, Virginia
|
|||||||||||||||||||
| Bibliography | ||
Benstock, Shari. Women of the Left Bank: Paris, 1900-1940. Austin: University of Texas Press, 1986. Crunden, Robert M. American Salons: Encounters with European Modernism, 1885-1917. New York: Oxford University Press, 1993 Fitch, Noel Riley. Sylvia Beach and the Lost Generation: A History of Literary Paris in the Twenties and Thirties. New York: Norton, 1983. Gadd, David. The Loving Friends: A Portrait of Bloomsbury. New York: Harcourt Brace Jovanovich, 1975. Lougee, Carolyn C. Le Paradis des Femmes: Women, Salons, and Social Stratification in Seventeenth-Century France. Princeton, N. J.: Princeton University Press, 1976. Quennell, Peter, ed. Genius in the Drawing-Room: The Literary Salon in the Nineteenth and Twentieth Centuries. London: Weidenfeld & Nicolson, 1980. Rodriguez, Suzanne. Wild Heart. A Life: Natalie Clifford Barney's Journey from Victorian America to the Literary Salons of Paris. New York: Ecco/HarperCollins, 2002.
|
| Citation Information | ||||
| Author: | Imhof, Robin | |||
| Entry Title: | Salons | |||
| General Editor: | Claude J. Summers | |||
| Publication Name: | glbtq: An Encyclopedia of Gay, Lesbian,
Bisexual, Transgender, and Queer Culture |
|||
| Publication Date: | 2002 | |||
| Date Last Updated | July 18, 2005 | |||
| Web Address | www.glbtq.com/arts/salons.html | |||
| Publisher | glbtq, Inc. 1130 West Adams Chicago, IL 60607 |
|||
| Today's Date | ||||
| Encyclopedia Copyright: | © 2002-2006, glbtq, Inc. | |||
| Entry Copyright | © 2002, glbtq, Inc. | |||
|
This Entry Copyright © 2002, glbtq, Inc. www.glbtq.com
is produced by glbtq, Inc., 1130 West Adams Street, Chicago, IL
60607 glbtq™ and its logo are trademarks of glbtq, Inc. |