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| Stage Actors and Actresses
Cherry Jones Cherry Jones became the first openly-lesbian Tony-Award winner when she was chosen as Best Actress for her performance in a revival of Ruth and Augustus Goetz's The Heiress (1995, directed by Gerald Gutierrez). In her acceptance speech she thanked her longtime partner, architect Mary O'Connor. Jones had previously won an Obie Award for her starring role in lesbian playwright Paula Vogel's The Baltimore Waltz (1992, directed by Anne Bogart), a work inspired by Vogel's brother, who had died of AIDS complications; and she has received numerous other award nominations for her acting. Far from being a diva, Jones has an unpretentious lifestyle. She bicycles back and forth between the theater and the Greenwich Village studio that she and O'Connor share. Known as a quick study and an "actor's actor," Jones is respected for her professionalism and devotion to her stagecraft. Speaking of her ground-breaking role as an award-winning openly-lesbian actress, Jones has said, "it means the world to all of those people in all of those places who can't be out." John Barrowman Another acclaimed out actor is John Barrowman, a musical theater star in London's West End and a fixture on British television. Barrowman, who was born in Scotland but spent much of his childhood in Illinois, won acclaim in a revival of Cole Porter's Anything Goes in 1989, and has subsequently become known especially for his interpretations of the works of Andrew Lloyd Webber and Stephen Sondheim. From the beginning of his career, Barrowman been openly gay. As he told Gay Times interviewer Rupert Smith in 2004, "There's a received idea that being openly gay in the TV industry will limit your ability to get work, but I decided early on that I wouldn't hide anything. If you lie about yourself, then people are going to work very hard to expose that lie. If you're honest, it's not an issue and you can just get on with your life. . . . As far as the public goes, they see me playing different characters, some straight, some gay. They can make their own assumptions." Barrowman's popularity, not merely in musical theater, but in a variety of roles on British television as well, seems to confirm his belief that openness is the best policy. Conclusion The willingness of successful performers such as Barrowman, Jones, McKellen, Callow, and Lane to be open about their sexuality is hopeful. They provide positive role models for gay and lesbian youth and place a human face on the image of homosexuality. The openness of these actors is a testament to their courage, but it also says something about the changing climate in Europe and America. These actors--unlike, for example, such talented performers as Split Britches or Charles Busch and Ethyl Eichelberger, who play to largely gay and lesbian audiences--are mainstream performers who must depend on the good will of the general public for their livelihood. They could not afford to be open unless they had good reason to think it was safe. Their confidence is confirmed by the fact that they have not suffered as a result of their openness. That they continue to enjoy success in their field indicates a new level of acceptance of homosexuality among the general public.
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arts >> Overview: Film Actors: Gay Male arts >> Overview: Film Actors: Lesbian arts >> Overview: Musical Theater and Film arts >> Overview: Theater Companies arts >> Overview: Variety and Vaudeville arts >> Acosta, Mercedes de arts >> Allen, Chad arts >> Arzner, Dorothy arts >> Bankhead, Tallulah arts >> Barrowman, John arts >> Bernhardt, Sarah arts >> Busch, Charles arts >> Callow, Simon arts >> Charke, Charlotte arts >> Cornell, Katharine, (1893-1974) and Guthrie McClintic (1893-1961) literature >> Coward, Sir Noël arts >> Coward, Sir Noël arts >> Cumming, Alan arts >> Cushman, Charlotte arts >> Dietrich, Marlene arts >> Dorval, Marie arts >> Duncan, Isadora arts >> Duse, Eleonora arts >> Eichelberger, Ethyl literature >> Fierstein, Harvey arts >> Fierstein, Harvey arts >> Garbo, Greta arts >> Gielgud, Sir John arts >> Granger, Farley arts >> Helpmann, Sir Robert arts >> Hindle, Annie arts >> Inman, John literature >> Jarman, Derek arts >> Jones, Cherry arts >> Lane, Nathan arts >> Laughton, Charles arts >> Le Gallienne, Eva arts >> Lunt, Alfred (1892-1977), and Lynn Fontanne (1887-1983) arts >> Lynch, Jane arts >> McKellen, Sir Ian literature >> McNally, Terrence arts >> Moorehead, Agnes arts >> Nixon, Cynthia arts >> Novello, Ivor arts >> Perkins, Anthony arts >> Pierce, David Hyde arts >> Raucourt, Françoise arts >> Reilly, Charles Nelson literature >> Shakespeare, William arts >> Stebbins, Emma arts >> Vogel, Paula literature >> Wilde, Oscar arts >> Winfield, Paul
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| Bibliography | ||
Benedict, David. "No Regrets. Well, Perhaps One." The Independent (London) (July 8, 1995): Arts Section, 3. Curtin, Kaier. "We Can Always Call Them Bulgarians": The Emergence of Lesbians and Gay Men on the American Stage. Boston: Alyson Publications, 1987. DeRitter, Jones. "'Not the Person She Conceived Me': The Public Identities of Charlotte Charke." Sexual Artifice. Ann Kibbey, Kayann Short, and Abouali Farmanfarmaian, eds. New York and London: New York University Press, 1994. 3-25. Madsen, Axel. The Sewing Circle. New York: Birch Lane Press, 1995. Morley, Sheridan. John Gielgud: The Authorized Biography. New York: Simon & Schuster, 2002. Scanlon, Dick. "Cherry Jones: Basking in Broadway raves and a girlfriend's love, history's first out lesbian Tony winner remembers her fabulous 1995." The Advocate 698-699 (January 23, 1996): 76. Schanke, Robert A. Shattered Applause: The Lives of Eva Le Gallienne. Carbondale, Ill.: Southern Illinois University Press, 1992. _____, and Kim Marra, eds. Passing Performances: Queer Readings of Leading Players in American Theater History. Ann Arbor: University of Michigan Press, 1998. Senelick, Laurence. "The Evolution of the Male Impersonator on the Nineteenth-Century Stage." Homosexuality and Homosexuals in the Arts. Wayne R. Dynes and Stephen Donaldson, eds. New York and London: Garland Publishing, Inc., 1992. 261-274. Smith, Rupert. "Centre Stage." Gay News (October 2004): www.johnbarrowman.net/interviews/gt.html Spoto, Donald. Laurence Olivier: A Biography. New York: HarperCollins, 1992. Vilanch, Bruce. "Citizen Lane." The Advocate (February 2, 1999): 30. Zucker, Carol. "Simon Callow." In the Company of Actors; Reflections on the Craft of Acting. New York: Theatre Arts Books/Routledge, 1999. 30-46.
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| Citation Information | ||||
| Author: | Rapp, Linda | |||
| Entry Title: | Stage Actors and Actresses | |||
| General Editor: | Claude J. Summers | |||
| Publication Name: | glbtq: An Encyclopedia of Gay, Lesbian,
Bisexual, Transgender, and Queer Culture |
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| Publication Date: | 2002 | |||
| Date Last Updated | June 3, 2008 | |||
| Web Address | www.glbtq.com/arts/stage_actors_actresses.html | |||
| Publisher | glbtq, Inc. 1130 West Adams Chicago, IL 60607 |
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| Encyclopedia Copyright: | © 2002-2006, glbtq, Inc. | |||
| Entry Copyright | © 2002, glbtq, Inc. | |||
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