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arts

Alpha Index:  A-B  C-F  G-K  L-Q  R-S  T-Z

Subjects:  A-B  C-E  F-L  M-Z

     
Subjects of the Visual Arts: Bathing Scenes  

Scenes of people bathing, whether in gymnasiums, hammams, pools, or private bathtubs, have attracted artists and patrons of all sexual persuasions for centuries. A common theme in painting since the Renaissance, bathing scenes were adopted by photographers in the nineteenth and twentieth centuries, giving us some of our most enduring images of the semi-naked or completely nude human form. Bathing scenes are often suffused with a distinctly homosexual atmosphere.

Coded Sexuality

The naked body interacting with water is the focus of most bathing scenes, but they often artfully reveal or code hidden erotic longings. The viewer is thus cast in the role of privileged voyeur, as we are drawn closely into the depicted scene.

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Artists living in times when sexual openness was impossible sometimes used sly codes in their bath scenes to reveal their interests. Depicting Bathsheba with her close female attendant, for example, often signaled female same-sex intimacy.

This coded element is evident in Albrecht Dürer's The Bathhouse (1497), a wood engraving in which, according to Emmanuel Cooper, " allusions abound."

Hans Block's The Bath at Leuk (1597) may similarly allude to homosexuality. It portrays perhaps a heretical cult that condoned mixed group bathing yet some of the men seem more interested in each other.

Heterosexual artists often used codes to hint voyeuristically at female homoeroticism, as in Bain Turc (1862) by Jean-August-Dominique Ingres. Though not known for his sense of humor, Ingres painted twenty-five naked ladies in a Turkish bath, some cavorting in a manner that suggests sexual intimacy.

In the nineteenth century, the fact that this painting was geared to an exclusively male heterosexual gaze was not subject to question. However, in the twentieth century, questioning the gaze became a significant gesture. Hence, Sylvia Sleigh showed in her Turkish Bath (1973) how the situation in Ingres' painting could be reversed by altering the gaze. She assumes a female voyeur who watches males who are depicted as naked, passive, almost emasculated, lounging creatures.

Thomas Eakins

One of the most important homoerotic bathing scenes is Thomas Eakins' The Swimming Hole (1883). Evoking a tradition of idyllic pastoral settings, the painting nevertheless strongly conveys homoeroticism.

Eakins, a disciple of poet Walt Whitman, regarded himself as a "scientific realist." He made photographic studies of his naked students at the Philadelphia Academy. Seemingly to concentrate on the anatomical, he used the freer photo studies as models for the more static painting, but his works suggest that a sexual interest may also have been an incentive.

The Eakins' painting typifies the documentary strand of the bathing scene genre. This approach allowed for ambivalent suggestions of the erotic under the guise of idyllic neo-classicism, which could be regarded as instructive and therefore respectable.

Other painters and photographers who employed his approach include Peter Henry Emerson, Edward Weston, and Frank Meadow Sutcliffe. The latter's photograph Water Rats (1886), which depicts naked young boys who were paid a penny each to pose, caused a minor scandal with local clergy, who objected and threatened to excommunicate the artist.

Distinct Themes

Bathing scenes can show the vulnerablity of a human body. Pierre Bonnard (1867-1947), for example, returned again and again to scenes of his wife Marthe floating loosely in the bathtub. Marthe suffered a malady that required long spells in the bath, reminding us that one of the most impressive bathtub scenes is The Death of Marat (1793) by Jacques Louis David (1748-1825).

Marat too was obliged to spend time in the bath, providing the artist with a key moment, a time at which people are most vulnerable, thus adding a dramatic, non-erotic dimension to bathing scenes.

The Twentieth Century

In the twentieth century, bathing scenes painted by two members of the Bloomsbury group show two distinctly idiosyncratic approaches. Vanessa Bell's Woman and a Tub (1917) depicts a single introspective, self-absorbed female nude standing beside the bath tub and is not overtly erotic.

Duncan Grant's Bathing (1911), on the other hand, offers a lyrical, stylized view of the sequential motion of a male body in the act of swimming. Both artists in their way demonstrate a fresh approach to the subject.

Paul Cadmus's The Bath (1951), painted in egg tempera on wood panel, illustrates an approach both modern and retro. One figure on the left is looking in the mirror and the other one is seen bathing in the tub. Cadmus used Jack Fontan and Jensen Yow from among his circle of friends as models. It is a very formal, technically accomplished composition, yet it nevertheless conveys a slyly modern--and perhaps post-coital--feel to the homoerotic domesticity of its two male figures.

David Hockney

David Hockney has created some of the best-known homoerotic bathing scenes, especially in his depictions of Los Angeles swimming pools. Two Boys in a Pool (1965), for example, shows a stylized world of unabashed plein air nudity in bright Californian light. Although Hockney's style in these early works may seem flattened and impersonal, its static quality gives it a peculiar resonance.

Hockney's early work was heavily influenced by photography, especially images from Bob Mizer's Physique Pictorial. These photos particularly influenced Hockney's series of shower paintings and domestic scenes, which often highlighted the male backside as an area of particular interest.

Hockney also painted his lover Peter Schlesinger in the bath tub, continuing what is unquestionably a kind of portraiture with absolute intimacy and an enduring tradition in art.

Kieron Devlin

     

 
zoom in
Top: The Death of Marat (1793) by Jacques Louis David.
Center: Le Bain Turc (1862) by Jean-August-Dominique Ingres.
Above: The Swimming Hole (1883) by Thomas Eakins.

  
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   Related Entries
  
literature >> Overview:  Bloomsbury

The Bloomsbury circle's open acceptance of erotic license and hostility toward social convention are important elements in the history of homosexuality among the English upper classes in the first half of the twentieth century.

arts >> Overview:  Photography: Gay Male, Pre-Stonewall

Although sparse in images documenting the gay community, pre-Stonewall gay male photography blurs the boundaries between art, erotica, and social history.

arts >> Overview:  Subjects of the Visual Arts: Nude Females

While nude depictions of women appear in most cultures, on both sides of the equator, and in rich variety, lesbian artists have been particularly resourceful in their use of the female nude.

arts >> Overview:  Subjects of the Visual Arts: Nude Males

Throughout much of history, the nude male figure was virtually the only subject that could be used to articulate homoerotic desire in publicly displayed works of art, as well as those works of art intended for private "consumption."

arts >> Cadmus, Paul

American painter Paul Cadmus is best known for the satiric innocence of his frequently censored paintings of burly men in skin-tight clothes, but he also created works that celebrate same-sex domesticity.

arts >> Dürer, Albrecht

One of the greatest graphic artists in history, Dürer elevated printmaking to the level of painting through his unprecedented use of line and value; his works frequently express sexual themes and homoeroticism.

arts >> Eakins, Thomas

Although his personal sexual orientation is uncertain, American painter, photographer, and teacher Thomas Eakins is solidly aligned in the history of art with a homophile sensibility, as expressed particularly in his celebration of the male form.

arts >> Grant, Duncan

One of the major British artists of the twentieth century, Duncan Grant was also the sexual catalyst of the Bloomsbury Circle.

arts >> Hockney, David

One of the liveliest and most versatile visual artists of his generation, David Hockney not only has helped break down resistance to the erotic gaze directed at the male body but also has presented gay male couples in domestic--rather than sensational or sexual--images.

literature >> Whitman, Walt

Celebrating an ideal of manly love in both its spiritual and physical aspects, Walt Whitman has exerted a profound and enduring influence on gay literature.


    Bibliography
   

Cooper, Emmanuel. The Sexual Perspective in Art: Homosexuality and Art in the Last 100 Years in the West. London: Routledge Kegan Paul, 1986.

Ellenzweig, Allen. The Homoerotic Photograph: Male Images from Durieu/Delacroix to Mapplethorpe. New York: Columbia University Press, 1992.

Livingstone, Marco. David Hockney. London: Thames and Hudson, 1996.

Melville, Robert. Erotic Art of the West. New York: Putnam's, 1973.

Weiemair, Peter. The Hidden Image: Photographs of the Male Nude in the Nineteenth and Twentieth Centuries. Cambridge, Mass.: MIT Press, 1988.

 

    Citation Information
         
    Author: Devlin, Kieron  
    Entry Title: Subjects of the Visual Arts: Bathing Scenes  
    General Editor: Claude J. Summers  
    Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual,
Transgender, and Queer Culture
 
    Publication Date: 2002  
    Date Last Updated October 31, 2006  
    Web Address www.glbtq.com/arts/subjects_bathing.html  
    Publisher glbtq, Inc.
1130 West Adams
Chicago, IL   60607
 
    Today's Date  
    Encyclopedia Copyright: © 2002-2006, glbtq, Inc.  
    Entry Copyright © 2002, glbtq, Inc.  
 

 

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