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Subjects of the Visual Arts: Priapus  

Priapus was a Phrygian fertility god whose cult spread throughout the Hellenistic world. Depicted with enormous genitals, he ensured fertility and good fortune. Priapus was the protector of gardens, vineyards, and orchards; his statue served as both scarecrow and guardian divinity.

He was, moreover, the patron of all in need of luck, especially men and women in search of sexual satisfaction. Although he is generally depicted as heterosexual in his tastes, Priapus numbered among his devotees men who were attracted to other men.

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Equally important was Priapus' ability to ward off the evil eye. He threatened potential evildoers with forcible penetration, a painful experience considering the huge size of his phallus. People commonly wore the phallic amulet of Priapus and decorated their dwellings with images of his erect penis.

Priapus is commonly represented nude or holding garden produce in his mantle, which he raises to reveal his tumid penis. A large painting from the House of the Vettii (Pompeii) portrays Priapus weighing his phallus against a sack of coins. The same house contains a fountain statue of Priapus that spurted water from his organ. Such images navigate the humorous inter-space between the sacred and the grotesque.

The mythology of Priapus has two notable tales. In one, Priapus argues with an ass about relative penis size. Priapus wins the contest and beats the ass to death (Hyginus, Astronomica 2.23). In the other, Priapus lusts after the nymph Lotis. He tries to rape her as she sleeps, but just as he is about to ravage her, an ass alerts her with his braying (Ovid, Fasti 1.391 ff.).

This latter tale is the subject of one of the few post-classical representations of Priapus, Giovanni Bellini's Feast of the Gods (1514), in which Priapus is depicted lifting the skirt of the sleeping Lotis. There is also a drawing of the birth of Priapus by Poussin (1620-1623) and a bronze sculpture of the god by Picasso (1952).

Martin D. Snyder

     

 
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This Pompeiian wall painting shows Priapus weighing his penis.
  
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   Related Entries
  
arts >> Overview:  Classical Art

Ancient Greek and Roman art represents a variety of homoerotic experience in several different ways.

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The Greco-Roman myths concerning same-sex love have been of crucial importance to the Western gay and lesbian literary heritage, both as texts and as icons.


    Bibliography
   

Aghion, Irene, Claire Barbillon, and Francois Lissarrague. Gods and Heroes of Classical Antiquity. Leonard M. Amico, trans. Paris: Flammarion, 1994.

Carabelli, Giancarlo. In the Image of Priapus. London: Duckworth, 1996.

Clarke, John R. Looking at Lovemaking: Constructions of Sexuality in Roman Art 100 B.C.-A.D. 250. Berkeley: University of California Press, 1998.

Megow, Wolf-Rudiger. "Priapos." Lexicon Iconographicum Mythologiae Classicae. Zurich: Artemis Verlag, ca 1981-1997. 8.1:1028-1044.

Richlin, Amy. The Garden of Priapus: Sexuality and Aggression in Roman Humor. Rev. ed. New York: Oxford University Press, 1992.

 

    Citation Information
         
    Author: Snyder, Martin D.  
    Entry Title: Subjects of the Visual Arts: Priapus  
    General Editor: Claude J. Summers  
    Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual,
Transgender, and Queer Culture
 
    Publication Date: 2002  
    Date Last Updated October 10, 2006  
    Web Address www.glbtq.com/arts/subjects_priapus.html  
    Publisher glbtq, Inc.
1130 West Adams
Chicago, IL   60607
 
    Today's Date  
    Encyclopedia Copyright: © 2002-2006, glbtq, Inc.  
    Entry Copyright © 2002, glbtq, Inc.  
 

 

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