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| Surrealism
In Dalí, for example, sexuality is often brutal, carnal, or grotesque, but in most instances it is almost always overtly masculine, feminine, or masculine/feminine; gender rarely seems confused or ambiguous. Dalí's painting Crucifixion (1954) presents a typical example. Dalí's interpretation of Christ on the cross, often an eroticized form in art, is extreme and austere; the draped woman gazing at the hovering form of Christ on the enormous geodesic cross suggests heterosexual longing, though there is nothing in the features of Christ himself that suggests homoerotic desire on the part of the artist. Through both topic and depiction, typical sexuality is subverted, but not in any way that suggests homosexual desire. Surrealistic filmmakers, like surrealist writers, had more freedom in their celluloid creations, and one can find splashes of homoeroticism in the works of Cocteau and Buñuel. Buñuel's film Los Olvidaros (1950), for example, features a minor homosexual character (who, alas, is portrayed in a typically predatory manner) and also presents a male-dominant homosocial portrait of street-life in poverty-stricken, urban Mexico. Cocteau, who was himself homosexual, offers similar glimpses of homosexuality in his works. Surrealism failed to achieve significant popularity in 1930s America, and as World War II loomed, the movement began to wane in Europe as well. Its influences, however, are widespread; and surrealism and the surrealists, despite the anti-homosexual stance of their leaders, have been embraced by homosexual communities and artists worldwide. Thus, while surrealism as a visual art did not initially embrace its homosexual members, it is now often the homosexual painters, critics, and writers who have worked to keep the movement alive as an artistic expression.
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arts >> Overview: European Art: Twentieth Century arts >> Cocteau, Jean social sciences >> Freud, Sigmund literature >> García Lorca, Federico arts >> Gober, Robert literature >> Roditi, Edouard arts >> Sekula, Sonja
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| Bibliography | ||
Bataille, Georges. The Absence of Myth: Writings on Surrealism. Michael Richardson, ed. and trans. London: Verso, 1994. Breton, André. Surrealism and Painting. Simon Watson Taylor, trans. New York: Harper and Row, 1972. Caws, Mary Ann. The Surrealist Look: An Erotics of Encounter. Cambridge, Mass.: MIT Press, 1999. Jean, Marcel, ed. The Autobiography of Surrealism. New York: Viking Press, 1980. Lomas, David. The Haunted Self: Surrealism, Psychoanalysis, Subjectivity. New Haven, Conn.: Yale University Press, 2001. Matthews, J. H. Imagery of Surrealism. Syracuse, N. Y.: Syracuse University Press, 1977. _____. Languages of Surrealism. Columbia: University of Missouri Press, 1986. Nadeau, Maurice. The History of Surrealism. Richard Howard, trans. New York: Macmillan, 1965. Walz, Robin. Pulp Surrealism: Insolent Popular Culture in Early Twentieth-Century Paris. Los Angeles: University of California Press, 2000.
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| Citation Information | ||||
| Author: | Cornelius, Michael G. | |||
| Entry Title: | Surrealism | |||
| General Editor: | Claude J. Summers | |||
| Publication Name: | glbtq: An Encyclopedia of Gay, Lesbian,
Bisexual, Transgender, and Queer Culture |
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| Publication Date: | 2002 | |||
| Date Last Updated | November 14, 2005 | |||
| Web Address | www.glbtq.com/arts/surrealism.html | |||
| Publisher | glbtq, Inc. 1130 West Adams Chicago, IL 60607 |
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| Encyclopedia Copyright: | © 2002-2006, glbtq, Inc. | |||
| Entry Copyright | © 2002, glbtq, Inc. | |||
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