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Treut, Monika (b. 1954)  

For nearly two decades, German filmmaker Monika Treut's films have unselfconsciously depicted worlds that the mainstream media tends to treat as "deviant." Her work consistently explores challenging and controversial issues surrounding minority sexual and gender identities.

Born in Moenchengladbach, Germany, Treut studied literature and political science in Marburg/Lahn and wrote her doctoral dissertation on the Marquis de Sade and Leopold von Sacher-Masoch. It has been published as The Cruel Woman: Female Images in de Sade and von Sacher-Masoch (Basel: Stroemfeld/Roter Stern, 1984).

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From 1978 until 1982, Treut was in charge of programming for media centers and art houses in Berlin and Hamburg. In 1984 Treut and Elfi Mikesch co-founded Hyena I/II in Berlin and Hamburg, a film production company.

Mikesch and Treut's first film, Verfuhrung: Die Grausame Frau (Seduction: The Cruel Woman, 1985) was inspired by the novel Venus in Furs by Leopold von Sacher-Masoch. Seduction examines the psychological aspects of sadism and masochism through the tale of Wanda (Mechthild Grossmann), a German lesbian dominatrix who runs a gallery where audiences pay for the privilege of watching her humiliate her slaves.

Treut's second feature film, Die Jungfrauenmaschine (The Virgin Machine, 1988) tells the erotic story of a young journalist, Dorothee (Ina Blum), who leaves Germany for San Francisco. Her sexual adventures include encounters with a male impersonator, Ramona (Shelly Mars); a charming Hungarian bohemian, Dominique (Dominique Gaspar); and Susie Sexpert (Susie Bright), a barker for an all-girl strip show.

Treut's next film, My Father Is Coming (1991), continues her exploration of sexual subcultures. Vicky (Shelley Kastner) is a German actress in New York City who tries to impress her visiting father and hide her bisexuality by concealing her job as a waitress and by having her gay roommate pose as her husband. Meanwhile, her father explores a world of individuals and , and has a fling with ex-porno-queen-turned-performance-artist Annie Sprinkle (playing herself).

Treut's best-known film, Female Misbehavior (1992), is a compilation of four shorts about "misbehaving" women: "Bondage" (1983) looks at the appeal of lesbian S&M, tit torture, and bondage; "Annie" (1989) showcases the performance art of Annie Sprinkle; "Dr. Paglia" (1992) is a portrait of the controversial critic Camille Paglia; "Max" (1992) documents the transsexual journey of Max Valerio from his former life as Anita, a lesbian Native American, to his new identity as a heterosexual male.

The director's most recent work includes shorts, documentaries, and feature films, but all are focused on aspects of sexuality.

In 1996, Treut directed the segment "Taboo Parlor" for the critically acclaimed collection of seductive vignettes, Erotique.

Didn't Do It For Love (1997) is a documentary that chronicles the flamboyant life of Eva Norvind. The Norwegian-born Norvind became a sex starlet in B-movies in Mexico, then moved into prostitution, where she serviced some of the country's most prominent politicians. Years later she became a professional dominatrix in New York City and a major player in the sex industry.

Treut's most recent film, Gendernauts (1999), won the Teddy Award at the 1999 Berlin Film Festival. Gendernauts explores gender fluidity at the end of the millennium in the Bay Area of California.

Treut's career is profiled, along with six other prominent lesbian filmmakers, in Marc Maucerie's documentary Lavender Limelight: Lesbians in Film (1997). She currently lives in Hamburg and New York City.

B.J. Wray

     

 
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Monika Treut in 2009.
  
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    Bibliography
   

Gemunden, Gerd. "How American Is It? The United States as Queer Utopia in the Cinema of Monika Treut." A User's Guide to German Cultural Studies. Scott Denham, Irene Kacandes, and Jonathan Petropoulos, eds. Ann Arbor: University of Michigan Press, 1997. 333-353.

Klotz, Marcia. "The Queer and Unqueer Spaces of Monika Treut's Films." Triangulated Visions: Women in Recent German Cinema. Ingeborg Majer O'Sickey and Ingeborg von Zadow, eds. Albany: State University of New York Press, 1998. 65-77.

Knight, Julia. "The Cinema of Monika Treut." Women and Film: A Sight and Sound Reader. Pam Cook and Philip Dodd, eds. Philadelphia, Penn.: Temple University Press, 1993. 180-185.

_____. "The Meaning of Treut." Immortal, Invisible: Lesbians and the Moving Image. Tamsin Wilton, ed. London: Routledge, 1995. 34-51.

Treut, Monika. "Female Misbehavior." Feminisms in the Cinema. Laura Pietropaolo and Ada Testaferri, eds. Bloomington: Indiana University Press, 1995. 106-121.

 

    Citation Information
         
    Author: Wray, B.J.  
    Entry Title: Treut, Monika  
    General Editor: Claude J. Summers  
    Publication Name: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual,
Transgender, and Queer Culture
 
    Publication Date: 2002  
    Date Last Updated February 16, 2012  
    Web Address www.glbtq.com/arts/treut_m.html  
    Publisher glbtq, Inc.
1130 West Adams
Chicago, IL   60607
 
    Today's Date  
    Encyclopedia Copyright: © 2002-2006, glbtq, Inc.  
    Entry Copyright © 2002, glbtq, Inc.  
 

 

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