With reports from hundreds of sub-Saharan African locales of male-male sexual relations and from about fifty of female-female sexual relations, it is clear that same-sex sexual relations existed in traditional African societies, though varying in forms and in the degree of public acceptance
The confrontations between police and demonstrators at the Stonewall Inn in New York City the weekend of June 27-29, 1969 mark the beginning of the modern glbtq movement for equal rights.
A social role for individuals who crossed or mixed male and female characteristics was one of the most widely distributed institutions of native North America.
The sexual revolution of post-World War II America changed sexual and gender roles profoundly.
Mixed-orientation marriages--those in which one partner is straight and the other is gay or lesbian--often end in divorce, but such an ending is not inevitable.
"Leather" is a blanket term for a large array of sexual preferences, identities, relationship structures, and social organizations loosely tied together by the thread of what is conventionally understood as sadomasochistic sex.
Since the late nineteenth century, transgendered people have advocated legal and social reforms that would ameliorate the kinds of oppression and discrimination they suffer.
Formed soon after the Stonewall Riots of 1969, the short-lived but influential Gay Liberation Front brought a new militancy to the movement that became known as gay liberation.
Córdova left a religious order to become a community-organizer and social worker and then an investigative reporter for the radical newspaper L.A. Free Press. She soon found herself covering stories about such figures as the Weather Underground, Angela Davis, and Patty Hearst and the Symbionese Liberation Front.
At the same time, she became involved in numerous love affairs with women, and established herself as a leader in the Los Angeles gay and lesbian movement. A president of the Los Angeles chapter of the Daughters of Bilitis, she also co-founded and edited Lesbian Tide, one of the most influential lesbian journals of the 1970s. Her reporting and columns for Lesbian Tide and other publications of the era are now recognized as early examples of advocacy journalism.
Córdova's new book, which features a foreword by historian Lillian Faderman, paints a memorable portrait of a crucial era in the movement for equal rights, even as it also explores the complicated emotions of a Latina "pretty butch" activist coming to terms with the first great love of her life.
In The Advocate, Robin Tyler describes When We were Outlaws as "a major literary accomplishment." She praises Córdova for her "courage to open up her private life, the strengths and weaknesses, internal pains, and mistakes that took her to dark places" and her ability to use dialogue to make scenes vivid. "They are like overhearing conversations with friends, lovers, and other famous activists."
A dramatization of the book is running at West Hollywood's Macha Theater under the title Outlaws on Stage.
The cast of eight queer actors include Raquel Gutierrez, performance artist of Butchlalis de Panochtitlan, as Córdova at 25; Dan Wentzel as Córdova's "political godfather" community leader Morris Kight; Jennifer Weaver as Patty Hearst; and Lauren Steely as Emily Harris of the Symbionese Liberation Army and Córdova's lover, Rachel.
Here Cordova discusses both the book and the dramatization: