Langston Hughes, whose literary legacy is enormous and varied, was closeted, but homosexuality was an important influence on his literary imagination, and many of his poems may be read as gay texts.
The writers of the Beat Generation, many of whom were gay or bisexual, endorsed gay rights as a part of their rebellion against inhibition and self-censorship.
The Comedy of Manners, which flourished on the Restoration stage, has been particularly amenable to twentieth-century gay male writers as a vehicle for social satire in both dramatic and nondramatic works.
Using his and his family's experiences, particularly his childhood in Raleigh, North Carolina, and his own wacky perspective on life, David Sedaris has become a world-famous humorist, comedian, writer, playwright, and radio personality.
From the great modernist writers of the 1920s and 1930s to the pulp writers of the 1950s to the lesbian writers of today, lesbian novelists have had a powerful impact on the lesbian community.
From its beginning, the nineteenth century in England had a purposeful homosexual literature of considerable bulk, both male and female, though it was fettered by oppression.
Persecuted for his homosexuality by the Castro government he had once championed, Cuban novelist, essayist, and poet Reinaldo Arenas challenged all types of ideological dogmatism.
Baudelaire was among the first French poets to include lesbians as subjects.
Congratulations to Lesléa Newman on the publication of October Mourning: A Song for Matthew Shepard. A slim but powerful volume of poems, "a historical novel in verse," October Mourning explores with heartbreaking insight the meaning of a gentle young man's unspeakable death at the hands of gaybashers in October 1998.
Newman, who may be best known as the author of children's books such as Heather Has Two Mommies, a straightforward story of a little girl who has "two arms, two hands, two legs, two eyes, two ears, two hands and two feet," and two lesbian mothers, is also the author of the acclaimed short story, "A Letter to Harvey Milk" (1987), in which she ties Jewish history and oppression to the struggle for gay liberation through a rambling letter written to the slain San Francisco politician by an older straight man.
On the night of October 6, 1998, Shepard was lured from a Laramie, Wyoming bar by two young men. He was savagely beaten, tied to a remote fence, and left to die. Gay Awareness Week was beginning at the University of Wyoming, and Newman had been invited as the keynote speaker to discuss Heather Has Two Mommies. Shaken by the news of Shepard's bashing, Newman addressed the large audience that gathered on the night that Shepard died six days after the beating.
As Newman explains in an article at HuffingtonPost, "I imagined Matt Shepard, whose picture had been splashed all over the newspapers, sitting in the front row for my speech. I knew he had planned on coming to my lecture. I knew he had attended a meeting of the school's Lesbian, Gay, Bisexual, Transgender Association to finish planning Gay Awareness Week the night he was attacked. I knew he had been robbed, kidnapped, beaten, and tied to a fence, where he remained undiscovered for 18 hours, all because he was gay."
Over the years she remained haunted by the murder of the young man, whose passing on October 12, 1998 struck a deep chord in the entire nation. In October Mourning she confronts the tragedy from multiple points of view, presenting monologues spoken by the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself.
Newman explains, "I was inspired to write about Matt's death from the imagined perspectives of the 'silent witnesses' to the murder. I wanted the stars, the fence, and the wind to symbolically bear witness to the tragedy spawned by hatred, and to deliver a message of hope."
As Helene Meyers points out in a review of October Mourning in Lilith, the new volume resembles "A Letter to Harvey Milk" in that it "does the work of preserving the atrocities of history while firmly offering a vision of choosing life. Refusing to let Shepard fade into oblivion, abstraction, statistic, or symbol, Newman here reminds us that the impulse to repair the world requires imagination as well as concrete memory."
The book is available from Candlewick Press.
Here is a trailer in which Newman reads from the book.