Although few gay actors have been permitted the luxury of openness, many of them have challenged and helped reconfigure notions of masculinity and, to a lesser extent, of homosexuality.
Lesbian actresses have played a significant role in Hollywood, but their contributions have rarely been recognized or spoken of openly; the "lavender marriage" is by no means a relic of the past.
Considering the unique set of problems facing lesbians who want to produce erotic art for the enjoyment of other lesbians, it is remarkable that so much lesbian erotica has been produced in so brief a time.
Olympian Brian Orser, known for both his athleticism and artistry, led a resurgence of Canada as a force to be reckoned with in men's figure skating; after being outed in a palimony suit, he has become an advocate for glbtq rights.
Although American gay film icon Brad Davis has been described as "the first heterosexual actor to die of AIDS," he was widely known as bisexual within the entertainment community.
Handsome, athletic, graceful, and charismatic, actor Errol Flynn was widely rumored to enjoy sexual relations with men as well as women.
In nineteenth-century America men who loved other men often suffered from guilt, but artists such as Winslow Homer and Thomas Eakins celebrated male camaraderie and affection, while expatriate John Singer Sargent depicted the dandy, and photographs documented male friendships.
An artistic movement that grew out of Dadaism and flourished in Europe shortly after World War I, Surrealism embraced the idea that art was an expression of the subconscious.
King Armenius XL.
Congratulations to director Tim Wolff on the release of his documentary film, The Sons of Tennessee Williams. The film tells the story of New Orleans' gay Mardi Gras Krewes, and through their history documents the fight for glbtq liberation in New Orleans.
Combining extraordinary footage of forty years of Mardi Gras balls and interviews with members of the Krewes, including especially glbtq.com contributor Albert Carey, the film demonstrates the seriousness beneath the apparent frivolity of the gay balls, which have come to be a significant element of the New Orleans Mardi Gras scene.
The film places the history of the Mardi Gras balls in the context of a struggle against oppression and reveals a political dimension to a tradition that may seem apolitical in the extreme.
The Sons of Tennessee Williams has been shown at several film festivals and on the PBS channel in New Orleans. It opens in New York at Quad Cinemas on W. 13th Street on October 7th, with a national release planned thereafter.Below is a trailer for the film: