Best known for his genius in art and architecture, Michelangelo was also an accomplished author of homoerotic poetry.
The bisexual Lord Byron treated many of his homosexual love affairs in his poetry, encoding them by the use of classical references or by purporting that they were affairs with women.
Before Stonewall, censorship of the theater caused authors to encode homosexual content in publicly-presented plays.
Combining elements of incongruity, theatricality, and exaggeration, camp is a form of humor that helps homosexuals cope with a hostile environment.
Sri Lankan-Canadian writer Shyam Selvadurai has emerged as a significant figure in post-colonial and gay writing by virtue of the style, wit, and perspicacity of his three novels.
There has always been homosexual involvement in American musical theatre and a homosexual sensibility even in straight musicals, and recently the Broadway musical has welcomed openly homosexual themes and situations.
The African-American gay male literary tradition consists of a substantial body of texts and includes some of the most gifted writers of the twentieth century.
A vigorous gay and lesbian literature emerged in the Philippines in the last two decades of the twentieth century.
Poet Adrienne Rich died on March 27, 2012 at her home in Santa Cruz, California from complications of rheumatoid arthritis. One of the most honored and most widely read poets of her generation, Rich, in the words of Martha Nell Smith, "aestheticized politics and politicized aesthetics."
The recipient of such literary awards as the Yale Younger Poets prize, the National Book Award, the Ruth Lilly Poetry Prize, the Dorothea Tanning Award given by the Academy of American Poets, the MacArthur Fellowship, the Bollingen Award, and numerous other awards and fellowships, Rich was nevertheless always conscious of her status as an outsider, most particularly as a lesbian-feminist. Indeed, she came to embrace her role as a public poet with a particular responsibility to use her voice to articulate political positions.
In addition to having written some of the English language's most beautiful poems of lesbian love, especially those in Twenty-One Love Poems (1976), Rich authored the controversial, still-debated essay, "Compulsory Heterosexuality and Lesbian Experience" (1980), and for two years co-edited the lesbian-feminist journal Sinister Wisdom.
In 1981, the National Gay Task Force recognized her accomplishments with the Fund for Human Dignity Award; in 1992, she received the William Whitehead Award of the Publishing Triangle for lifetime achievement in letters; and she won two Lambda Literary Awards.
Rich also wrote anti-war poetry and was constantly aware of the manifold ways in which the personal is the political. She also explored her identification as a Jewish woman. Her passion for justice informed both her poetry and her essays.
Rich's National Book Award-winning volume, Diving into the Wreck (1973) is widely considered her defining collection. Other volumes include The Dream of a Common Language (1978), A Wild Patience Has Taken Me This Far (1981), The Fact of a Doorframe (1984), An Atlas of the Difficult World (1991) and Tonight No Poetry Will Serve (2011).
As Smith observes in her glbtq.com entry on Rich, "Through her monumental gift of poetry and her activism on behalf of lesbian and gay liberation and civil rights for everyone, she has indeed cast her lot with those who reconstitute the world. Her poems, her essays, interviews, and speeches are all a call to action, for they each remind us, as she remarked in 1991, that 'Experience is always larger than language.'"
Rich is survived by poet and novelist Michelle Cliff, her life-partner since 1976; three sons; a sister; and two grandchildren.
In the video below, Rich reads her poem "What Kind of Times Are These."