With reports from hundreds of sub-Saharan African locales of male-male sexual relations and from about fifty of female-female sexual relations, it is clear that same-sex sexual relations existed in traditional African societies, though varying in forms and in the degree of public acceptance
The confrontations between police and demonstrators at the Stonewall Inn in New York City the weekend of June 27-29, 1969 mark the beginning of the modern glbtq movement for equal rights.
A social role for individuals who crossed or mixed male and female characteristics was one of the most widely distributed institutions of native North America.
The sexual revolution of post-World War II America changed sexual and gender roles profoundly.
Mixed-orientation marriages--those in which one partner is straight and the other is gay or lesbian--often end in divorce, but such an ending is not inevitable.
"Leather" is a blanket term for a large array of sexual preferences, identities, relationship structures, and social organizations loosely tied together by the thread of what is conventionally understood as sadomasochistic sex.
Since the late nineteenth century, transgendered people have advocated legal and social reforms that would ameliorate the kinds of oppression and discrimination they suffer.
Formed soon after the Stonewall Riots of 1969, the short-lived but influential Gay Liberation Front brought a new militancy to the movement that became known as gay liberation.
Alan Sues. Video still courtesy Todd Lampe.
Comic actor Alan Sues died in Los Angeles on December 1, 2011, apparently as the result of a heart attack.
Sues gained fame as a member of the cast of the seminal comedy-sketch television show Rowan and Martin's Laugh-In. He joined the cast in 1968, its second season, and remained with the show until 1972, the year before it went off the air.
Laugh-In launched the careers of such television stars as Lily Tomlin, Goldie Hawn, Ruth Buzzi, Jo Anne Worley, and Flip Wilson.
On the show, Sues played a number of flamboyant characters, most of whom displayed stereotypically gay mannerisms. They included a hung-over children's entertainer; an effeminate sportscaster; and a drag impersonator of Jo Anne Worley.
Sues never officially came out during his period of fame, fearing that doing so would have ended his career. "It wasn't because he was ashamed of being gay; it was because he was surviving as a performer," his friend Michael Michaud told the New York Times.
Michaud added that Sues was an inspiration to many gay viewers. "Many gay men came up to him and said how important he was when they were young because he was the only gay man they could see on television," he said.
Sues, who had been trained as a dramatic actor, found himself typecast as an over-the-top comedian as a result of the success of Laugh-In.