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  Contributor Biography:  Andrew Grossman 
 
Andrew Grossman is the editor of Queer Asian Cinema: Shadows in the Shade, the first full-length anthology of writing about gay, lesbian, and transgender Asian films. His writings on film and queer issues have also appeared in Bright Lights Film Journal, Scope: The Film Journal of the University of Nottingham, Senses of the Cinema, American Book Review, and elsewhere.

Entries by Andrew Grossman

arts >> Asian Film

The recent popularity of Asian films with English-language audiences has allowed Western audiences a glimpse of Asian gay and lesbian identities and gender ambiguities in high-profile queer films.

arts >> Hong Kong Film

Filmmaking in Hong Kong eventually came to terms with, exploited, and often blurred the lines between Chinese traditions of gender ambiguity and Westernized "out" politics.

arts >> Japanese Film

Offering visions of sexual transgression divorced from Western political correctness and assimilationist civil rights ideals, Japanese queer cinema is unique.

arts >> Transvestism in Film

Too often cinematic drag is reduced to a mere joke, a harmless tease that tacitly reassures us that people can change their clothes but not their sexual identities.

   

 

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