glbtq: an encyclopedia of gay, lesbian, bisexual, transgender & queer culture
social sciences
special features
about glbtq


   member name
   Forgot Your Password?  
Not a Member Yet?  

  Advertising Opportunities
  Permissions & Licensing
  Terms of Service
  Privacy Policy






Alpha Index:  A-B  C-F  G-K  L-Q  R-S  T-Z

Subjects:  A-B  C-E  F-L  M-Z

Bookmark and Share
Steward, Samuel (1909-1993)  
page: 1  2  

Samuel Steward was a college professor, tattoo artist, and author. While he published extensively under his given name, he is perhaps best remembered for the extraordinarily literate and explicit gay male erotica he published under the pseudonym Phil Andros. In the words of Terence Kissack, the executive director of the GLBT Historical Society, "Steward is among the most fascinating figures of post-World War II culture."

Born Samuel Morris Steward on July 23, 1909, in Woodsfield, Ohio, he was the only son of an auditor and an elementary school teacher. His mother died when he was a boy and he was effectively raised by two of his aunts, who owned a boarding house.

Steward lived in Woodsfield until the age of 18, when he (along with his aunts) moved to Columbus, Ohio in 1927 to attend Ohio State University. After earning bachelor's (cum laude; 1931), master's (1932), and doctoral (1934) degrees from Ohio State University, he spent the next twenty years in academia.

Steward was a professor of English at Carroll College, Helena, Montana from 1934 to 1935 and from 1935 to 1936 assistant professor of English at State College of Washington (now Washington State University) in Pullman, Washington. He was dismissed from that position in 1936, however, due to the portrayal of prostitution in his novel Angels on the Bough, published that same year.

Steward subsequently moved to Chicago, where he taught as an associate professor of English at Loyola University from 1936 to 1946 and at DePaul University from 1948 to 1954.

From 1946 to 1948 he was an editor in the departments of religion, fine arts, and education of the World Book Encyclopedia.

In the course of his lifetime, Steward became acquainted with some of the greatest, and most notorious, names in twentieth-century art and culture, including Gertrude Stein and Alice B. Toklas, André Gide, Thomas Mann, Lord Alfred Douglas, and Alfred Kinsey. For a brief time, he was the lover of the playwright and novelist Thornton Wilder.

In 1932, while still a student at Ohio State University, Steward began corresponding with Stein and Toklas. He finally met them in person some five years later in France. In a 1993 interview with Owen Keehnen, Steward remembered Stein fondly, saying: "I found her very warm and almost maternal towards me. My impression was she was not quite sure of herself and wanted to have the admiration of even a young squirt like myself."

After Stein's death in 1946, Steward continued to visit Toklas almost annually in Paris, until Toklas's own death in 1967. His friendship with both of them resulted in the memoir, Dear Sammy: Letters from Gertrude Stein and Alice B. Toklas, which Steward published in 1977, and two mysteries that cast Stein and Toklas as detectives, Murder Is Murder Is Murder (1985) and The Caravaggio Shawl (1989).

While on a European tour in 1937, Steward apparently began a furtive sexual fling with Thornton Wilder in Zurich. After several awkward encounters, however, their relationship cooled. In the Keehnen interview, Steward reminisced about Wilder: "Thornton always went about having sex as though it were something going on behind his back and he didn't know anything about it. He was more than a little afraid of it I think."

In 1949, Steward met Alfred Kinsey and became an "unofficial collaborator" in his research on human sexuality; the two remained friends until Kinsey's death in 1956. Steward participated in a bondage and S/M scene in 1949 for Kinsey to film, with a sadist that Kinsey flew in from New York.

Steward left the academic world in the mid-1950s to make a living as a tattoo artist under the name Phil Sparrow. As he explained in an interview, Steward invented the trade name for his own protection. "I overlapped my last two years of university teaching with my first two years of tattooing. I used Phil Sparrow to keep that life hidden from my academic life. The [administrators at DePaul] would not have looked very favorably on that method of moonlighting."

As an advocate of the theories of Albert Parry, author of the landmark 1933 book Tattoo, Secrets of a Strange Art as Practiced by the Natives of the United States and a neo-Freudian who looked upon tattooing as a sexual act because of the insertion of fluid, Steward described tattooing as a "sensual experience."

He worked as a tattoo artist in Chicago and Oakland, California until 1970.

    page: 1  2   next page>  
Contact Us
Join the Discussion
Related Entries
More Entries by this contributor
A Bibliography on this Topic

Citation Information
More Entries about Literature
Popular Topics:


Williams, Tennessee
Williams, Tennessee

Literary Theory: Gay, Lesbian, and Queer

The Harlem Renaissance
The Harlem Renaissance

Romantic Friendship: Female
Romantic Friendship: Female

Feminist Literary Theory

American Literature: Gay Male, 1900-1969
American Literature: Gay Male, 1900-1969

Erotica and Pornography
Erotica and Pornography

Mishima, Yukio
Mishima, Yukio

Sadomasochistic Literature

Beat Generation
Beat Generation




This Entry Copyright © 2007 glbtq, Inc. is produced by glbtq, Inc., 1130 West Adams Street, Chicago, IL   60607 glbtq™ and its logo are trademarks of glbtq, Inc.
This site and its contents Copyright © 2002-2006, glbtq, Inc.  All Rights Reserved.
Your use of this site indicates that you accept its Terms of Service.