Alice Malsenior Walker was born February 9, 1944, in Eatonton, Georgia, to an African-American sharecropper family. She attended Spelman College from 1961 to 1963, and graduated from Sarah Lawrence College in 1965. In 1964, she traveled to Africa and began to write poetry, some of it published in the 1968 collection, Once.

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After college, she worked for New York City's welfare department and for the civil rights movement in Mississippi. In 1967, she married Melvyn R. Levanthal, a civil rights lawyer, and they had a daughter, Rebecca, in 1969. In 1976, they were amicably divorced.

In the 1970s, Walker's writing career began to blossom. By 1974, she was a contributing editor at Ms Magazine.

Walker has received many writing fellowships from, for example, the MacDowell Colony, the Radcliffe Institute, and the Guggenheim Foundation. She has taught at several universities and has published numerous volumes of poetry, fiction, and essays.

Among the prestigious awards she has received are the Lillian Smith Award for Revolutionary Petunias (1973), which was also nominated for a National Book Award; the Rosenthal Foundation Award from the American Academy of Arts and Letters (1974); and the 1983 Pulitzer Prize for The Color Purple (1982).

In 1981, she moved to California, where she continues to live and write.

Alice Walker's work speaks to such universal themes as spiritual survival; the achievement of individual identity, freedom, and power; and the interconnectedness of self and community. Her concern with these issues is effectively cast within the framework of black female experience. She explores the damage to the individual self wrought by racism and sexism, which she sees as related consequences of patriarchal cultures.

As she depicts racial and sexual taboos, she diagnoses abusive behavior as an expression of self-hatred and the fragmentation of female wholeness as effected by conformity. Walker's recurrent argument is that healthy self-definition stems from self-knowledge and self-love.

Within these contexts, she treats lesbianism as natural and freeing, notably in The Color Purple. Here Celie, the protagonist, is figuratively reborn from a death of the spirit through her sister/friend/lover's teaching. She is sexually and spiritually awakened to both the beauty of her body and the possibility of personal autonomy within a shared and reciprocal relationship.

It is clear from Walker's entire work that there are no forbidden loves or themes. She demands that conventions be questioned. Her novel Possessing the Secret of Joy (1992) is about the practice of performing clitoridectomies on African women. She forces the reader to share her character's physical pain but even more to empathize with the mutilation of her spirit. Fact and metaphor join.

Alice Walker sees women as scarred by rigid, constricting gender categories. As her last novel announces, the "secret of joy" is resistance. Her entire work says that society must change to enable personal transformation and wholeness.

Resistance to inhibiting taboos is potentially redemptive, and affective bonding, of which lesbianism is an example, can be curative and liberating. Walker is important both for her expression of these themes and for her fictional representation of characters who break conventional stereotypes.

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