The term classical music is a convenient shorthand that refers to the body of Western art music, as distinguished from popular or folk music. It is an important component of Western culture to which glbtq people have contributed significantly.
Filmmaker Yony Leyser's documentary William S. Burroughs: A Man Within (2010) introduces Burroughs (1914-1997) as a leading writer who helped construct the Beat Generation, was an important gay icon, inspired the counterculture of the 1960s, and was the muse and godfather of Punk Rock. According to reviewer Wik Wikholm, the film is an excellent and unflinching introduction to Burrough's hard-to-like personality, his importance as a writer and artist, and his influence on American cultural history.
An anonymous contributor writes about his favorite glbtq-friendly blogs and the two right-wing blogs he most loves to hate: FamilyScholars.org and GetReligion.org. The article includes descriptions of the people who write for and fund these right-wing, culture-war driven blogs and the issues that concern them.
In the documentary film Dark and Lovely, Soft and Free (2002), city-dwelling narrator Zakhi Ranebe teams up with hairdresser Martin Machapa to travel to the hinterlands of black South Africa and explore queer male communities there by connecting with rural gay hairdressers to gain entry into their tiny queer communities. The video reveals an enormous variety of identities and lifestyles that challenge Western gay, bisexual, and transgender categories and uncovers a surprising degree of social integration between rural queer black subcommunities and the villages and towns within which they exist.
The accomplishments of nineteenth-century lesbian American artists, some of whom are only now receiving recognition, are all the more remarkable for the obstacles they faced as homosexuals and as women working in a male-dominated field.
Nineteenth-century gay male American artists often suffered from guilt, but artists such as Winslow Homer and Thomas Eakins celebrated male camaraderie and affection, while expatriate John Singer Sargent depicted the dandy. Some American artists, including Eakins, used the relatively new medium of photography to celebrate the beauty of the male nude as well as male friendships.
The documentary film 8: The Mormon Proposition (2010) indicts the Mormon Church as the puppet master that orchestrated, funded, and deliberately concealed its role in what appeared to be a successful grassroots Evangelical and Roman Catholic campaign for Proposition 8, the state constitutional amendment that ended same-sex marriage in California when it passed on November 4, 2008. The film cites evidence that shows that the Mormons have honed a deceptive, but winning strategy they continue to use against same-sex marriage today.
Joan E. Biren (JEB)'s No Secret Anymore: The Life and Times of Del Martin and Phyllis Lyon (2003) adoringly chronicles the lives and activist careers of Del Martin (1921-2008) and Phyllis Lyon (b. 1924), one of the most influential and iconic lesbian couples of the twentieth century. Though it is skimpy on the details of some of the controversies surrounding its subjects' activism, this well-made documentary is a fitting tribute to the career of a couple whose lives and activism are unparalleled in the history of the movement for lesbian and gay civil rights.
Marlon Riggs' classic film Tongues Untied (1989) combines performance, poetry, dance, music, documentary film clips, and even voguing to create a video mashup that expresses the fears, frustrations, rage, and hope experienced by African-American gay men during a unique and pivotal period in African-American gay history. According to reviewer Wik Wikholm, the film succeeds as both an energetic piece of video performance art and as a hopeful manifesto.