Flemish artist Jérôme (Hieronymus) Duquesnoy was one of the most renowned sculptors of the seventeenth century, but for decades after his death he was best known for his conviction and execution on charges of sodomy.
One of the greatest graphic artists in history, Dürer elevated printmaking to the level of painting through his unprecedented use of line and value; his works frequently express sexual themes and homoeroticism.
Dutch friendship glasses, which were made on order to celebrate friendship in the eighteenth century, may also have covertly celebrated same-sex sexual desire; one surviving friendship glass celebrates sodomitical pleasure.
Einar Wegener, a male Danish painter of some renown, became Lili Elbe, one of the world's first male-to-female transsexuals to undergo sexual reassignment surgery.
Painter Magnus Knut Enckell, whose works exhibit strong homoerotic overtones, was one of the leading figures in the art circles of late-nineteenth and early-twentieth century Finland.
Given the historic stigma around making, circulating, and possessing overtly homoerotic images, the visual arts have been especially important for providing a socially sanctioned arena for depicting the naked male body and suggesting homoerotic desire.
Considering the unique set of problems facing lesbians who want to produce erotic art for the enjoyment of other lesbians, it is remarkable that so much lesbian erotica has been produced in so brief a time.
One of the most innovative designers of the twentieth century, Erté created striking, often homoerotic, Art Deco fashion designs and lithographs.
From about 1590 through the first decades of the eighteenth century, Baroque artists challenged the decorum of Renaissance art; but the period was also a time of intolerance and persecution.
During the eighteenth century, men whom we would now call homosexual, such as Johann Winckelmann, Horace Walpole, and William Beckford, were at the forefront of public taste, championing respectively the fresh interest in Classical, Gothic, and Oriental styles.
The dominant style of painting, sculpture, and architecture in Europe from around 1520 to about 1600, Mannerism has proven to be a great favorite of glbtq audiences, who developed a camp appreciation for its frequent excesses.
Ranging from depictions of acts "against nature" to representations of sexual ambiguity, queer medieval art may be richer than is generally recognized.
Homoeroticism is a prominent presence in neoclassicism, an artistic movement noted for its masculine style, its appreciation of male beauty, and its privileging of ancient Greece and Rome as civilizations to be emulated.
Several artists and art critics of the nineteenth century achieved a self-aware homosexual identity that is expressed in both their lives and their works, but lesbianism is only rarely depicted in terms of identity during this period.
The various cultural patterns, especially the conditions of artistic production and the types of subjects and themes represented, provide a great deal of evidence about Renaissance sexuality and art.
A large number of significant twentieth-century European artists focused on gay, lesbian, bisexual, and transgender themes, making such concerns crucial to the understanding of twentieth-century European art.
One of the most important black photographers of the late twentieth century, Rotimi Fani-Kayode explores important themes of racial and sexual identity.
James Ogilvy, the 7th Earl of Findlater and 4th Earl of Seafield, was an accomplished amateur landscape architect and philanthropist; after his death, scandal erupted when he was outed by his own relatives in Scotland.
The work of bisexual artist Léonor Fini, which emphasizes female power and autonomy, may be seen as a response to the patriarchal assumptions of Surrealism.
Nineteenth-century French artist Hippolyte Flandrin created studies of male youth that are richly homoerotic.
Though she was an accomplished and respected photojournalist, Gisèle Freund is today best remembered as a chronicler of the vibrant bohemian community of artists and writers that made its home in Paris during the 1930s.
Swiss-born Henry Fuseli spent most of his life in England, where he established a reputation as an artist of great originality and where he painted pictures of both heterosexual and homosexual subjects.
Throughout the work of Théodore Géricault, perhaps the best known nineteenth-century visual artist associated with Romanticism, is a discernible homoeroticism.
Controversial British avant-garde artists Gilbert & George explore themes ranging from city life, with all its frailties, to religion, scatology, and homosexuality.
Throughout his long career, French neoclassical painter Anne-Louis Girodet-Trioson concentrated on subjects that confused and conflated masculine and feminine characteristics, and often imbued them with homoeroticism.