Art: American
The most significant examples of pre-Stonewall lesbian photography convey relationships, reflect lesbian iconography, or show the photographer looking at and recording her beloved.
California artist Lari Pittman creates visually beautiful and exciting paintings that depict the anxiety attendant on being a gay male in America.
An early 1960s school of painting and sculpture that utilized the subjects, techniques, or stylistic conventions of popular culture, Pop Art expressed a camp sensibility.
Bisexual artist Fairfield Porter is recognized as a major twentieth-century American Intimist painter.
Lionel H. Pries was a noted architect and artist, now primarily remembered for his teaching career at the University of Washington, which was cut short when he was arrested in a vice sting in the late 1950s.
Despite the stereotyping of their cover art and their pathologizing of lesbianism, the American pulp novels of the 1950s and 1960s subverted the social and political prohibitions against homosexual expression during the McCarthy era.
An influential figure in a unique American style of art, George Quaintance was a pioneer of male physique painting.
Designed by Gilbert Baker in 1978, the rainbow flag has become a popular (and sometimes controversial), internationally recognized symbol of gay and lesbian pride.
One of the most prolific and innovative artists of the late twentieth century, Robert Rauschenberg was at the core of a group of interdisciplinary artists who revolutionized American art.
One of the pioneers of Pop Art, Larry Rivers was a prolific artist, sculptor, and jazz musician; although he did not identify as a bisexual, the twice-married artist had significant same-sex sexual experience.
In his 1960s and 1970s images of hikers, bikers, and surfers, photographer and activist Mel Roberts captured the spirit of the California Dream that lured thousands of gay men to the Golden State in search of freedom and opportunity after World War II.
Photographer Jack Robinson came to prominence as a result of the stunning fashion and celebrity photographs he shot for magazines in the 1960s, but he also created significant images that document the gay subculture of New Orleans in the 1950s.
Often overlooked in mainstream publications on the cultural history of salons is that many of the salon hostesses and attendees were lesbian, bisexual, or gay.
The evidence of the homosexuality of celebrated portrait artist John Singer Sargent resides largely in his work, especially his genre paintings and male nudes.
Best known for his work in fashion and for his magazine covers, American photographer Francesco Scavullo was also a masterful portrait photographer.
Pop sculptor George Segal's "Gay Liberation" (1980) was the first piece of public art commemorating the struggle of glbtq people for equality.
An important voice in children's literature over the past half century, Maurice Sendak wrote and illustrated books that both acknowledge the fears faced by children and celebrate the imagination with which they cope with them.
Acclaimed as one of the leading Expressionists of her generation, American artist Joan Snyder has given modern Expressionism a vigorous infusion of feminist purpose.
American artists and lifelong partners Maud Hunt Squire and Ethel Mars forged distinguished careers in book illustration, painting, and woodblock printing.
Emma Stebbins is remembered for the sculpture that she produced between 1859 and 1869 and for being the lover of actress Charlotte Cushman.
A common theme in painting since the Renaissance, bathing scenes are often suffused with a distinctly homosexual atmosphere.
Bicycles, introduced in Europe around 1863, were the first democratic means of transportation, and soon became both a means and a symbol of women's liberation.
Endymion is frequently represented in art as an exemplar of male physical beauty, youthful innocence, and sexual accessibility.
While nude depictions of women appear in most cultures, on both sides of the equator, and in rich variety, lesbian artists have been particularly resourceful in their use of the female nude.
Throughout much of history, the nude male figure was virtually the only subject that could be used to articulate homoerotic desire in publicly displayed works of art, as well as those works of art intended for private "consumption."
The Sexual Revolution, 1960-1980
Clause (or Section) 28
Hijras
Milk, Harvey
YMCA