African-American dancer and choreographer Alvin Ailey celebrated his heritage and translated his pain into art.
Canadian-born Maud Allan achieved fame as the "Salome Dancer," but is best remembered for a libel suit she brought against a newspaper publisher for alleging that she was a lesbian.
Sir Frederick Ashton may be described as the choreographer who most fully defined British ballet in the twentieth century.
Entertainer Josephine Baker achieved acclaim as the twentieth century's first international black female sex symbol, but kept carefully hidden her many sexual liaisons with women, which continued from adolescence to the end of her life.
Expressionist exotic dancer and actress in German silent movies, Anita Berber epitomized for many the decadence of Weimar-era Berlin.
The premier male dancer of the 1950s, Erik Bruhn epitomized the ethereally handsome prince of the decade's ballet stage, but was later able to re-make his career by performing vividly realized character parts.
One of the twentieth-century's most influential dancers and choreographers, Merce Cunningham avoided political statement and self-expression in his work, but his collaborative model may be said to represent a queering of the creative process.
Artistic dance has proven to be a haven for glbtq people, who have made significant contributions in almost every area, including as choreographers, performers, and teachers.
Indian playwright, screenwriter, dancer, director, and actor Mahesh Dattani is an important figure in South Asian gay culture by virtue of his recurrent depiction of queer characters.
English dancer, choreographer, producer, and teacher of drama Rupert Doone had a varied and distinguished artistic career.
The mother of modern dance, Isadora Duncan brought her feminist consciousness to the stage; and in her bohemian private life, she constantly challenged society's rules.
Child actor Neil Patrick Harris has made a successful transition to mature roles, showcasing his singing and dancing abilities along the way; he has also spoken out on behalf of glbtq causes.
Actor, dancer, and choreographer, Sir Robert Helpmann was present at the creation of premier ballet companies in both Great Britain and Australia.
American dancer, choreographer, and teacher Robert Joffrey created a major dance company and promoted gender parity in ballet.
A charismatic performer, gifted choreographer, and long-term survivor of AIDS, Bill T. Jones has created an impressive body of dance that frequently merges the private and the public.
Gay actor and singer Larry Kert introduced some of the most memorable songs in American musical theater.
Fiercely ambitious, Serge Lifar used his extraordinary looks and charismatic personality to rise to the ranks of leading international ballet dancers and choreographers of the twentieth century.
Miguel de Molina reinvented the Spanish flamenco performance, but his open gayness and gender-bending stage persona provoked hostile reactions that plagued his career.
American choreographer Mark Morris creates works that typically mix elements of Eastern and Western cultures and frequently explore sexual ambiguities.
One of the greatest dancers and most innovative choreographers in the history of ballet, Vaslav Nijinsky embodied the sensuality and sexual ambiguity associated with the distinctive new art of the twentieth century.
The greatest dancer of his time, Rudolf Nureyev also gave the world a new and glamorous image of a sexually active gay man.
Olympian Brian Orser, known for both his athleticism and artistry, led a resurgence of Canada as a force to be reckoned with in men's figure skating; after being outed in a palimony suit, he has become an advocate for glbtq rights.
Bisexual choreographer and director Jerome Robbins was both a great choreographer of classical ballet and a Broadway innovator, but he was fearful that he might be outed.
One of the most influential ballet dancers of his time, Jock Soto has been instrumental in shaping the role and identity of the contemporary male dancer.
Dancer and choreographer Paul Taylor has been an important presence in American dance since the 1950s.