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Directors: Stage
Anderson, Lindsay
Influential in shaping British cinema in the 1960s, director Lindsay Anderson, who often presented homoerotic elements in his films violently and disturbingly, was tormented by his homosexuality.
Ashman, Howard
Award-winning lyricist and playwright Howard Ashman collaborated with Alan Menken on projects as diverse as the stage musical Little Shop of Horrors and the animated Disney film Beauty and the Beast.
Baitz, Jon Robin
A leading contemporary American playwright, Jon Robin Baitz produces works that are both morally serious and politically conscious.
Bennett, Michael
Bisexual choreographer and director Michael Bennett, winner of eight Tony Awards, developed a fluid, cinematic style of choreography and staging.
Bentley, Eric
An eminent professor and translator as well as a drama critic and playwright, Eric Bentley--whether writing from inside or outside the closet--has consistently supported the representation of same-sex desire in the theater.
Bourne, Matthew
Perhaps the most acclaimed British choreographer working today, Matthew Bourne is best known for his homoerotic updatings and deconstructions of classic ballets.
Busch, Charles
Actor-writer-director Charles Busch has distinguished himself through his virtuouso performances of "grand dame" characters and through his writing of dramatic vehicles for these roles.
Callow, Simon
Versatile British actor Simon Callow has played a wide variety of roles on the stage, in films, and on television, but has remarked on his special affinity for gay roles.
Cárdenas, Nancy
Poet, journalist, playwright, director, and activist, Nancy Cárdenas was perhaps the first out lesbian public figure in Mexico and a pioneer in the Mexican gay movement.
Cornell, Katharine, (1893-1974) and Guthrie McClintic (1893-1961)
Actress Katharine Cornell and director Guthrie McClintic sustained one of the most celebrated partnerships in the American theater for forty years; although married and devoted to each other, both partners pursued same-sex relationships.
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