Poetry
Although Pulitzer Prize-winning poet Mary Oliver has not been an outspoken lesbian activist, her poetry is deeply resonant with contemporary lesbian consciousness, and many lesbians claimed her as one of their own before she publicly came out.
A prolific writer and respected teacher, Sheila Ortiz-Taylor has bracketed her career with groundbreaking achievements.
English war poet Wilfred Owen combined the homoeroticism latent in the elegy tradition with precise observation of the horror of trench warfare.
The creativity of Russian poet Sophia Parnok was closely linked to her lesbianism.
Most of the fiction and much of the poetry of Pier Paolo Pasolini, one of the great Marxist homosexual artists of the twentieth century, was shaped by his fascination with the lives of subproletarian youths.
Both the elegiac and the romantic pastoral have been associated with homoerotic desire from their beginnings in classical literature to their echoes in contemporary literatures.
One of France's leading lesbian theorists and political activists, Geneviève Pastre is a writer and publisher who has made lesbian feminism the root of her political and literary work.
For Sandro Penna boyhood was the embodiment of desire and the inspiration for all of his poetry.
Although his sexuality cannot be documented, the Portugese poet Fernando Pessoa wrote homoerotic verse, much of it in English.
A vigorous gay and lesbian literature emerged in the Philippines in the last two decades of the twentieth century.
Two-thirds of the poems of Katherine Philips, "The Matchless Orinda," concern erotic relationships among women.
The poems of Count August von Platen are homoerotic expressions of Platonic love, idealism, beauty, friendship, and longing.
Although overt homosexuality is absent from William Plomer's novels and poems, the relevance of his sexuality to his work is evident.
The gay tradition in literature from ancient times to the present is primarily a tradition not of prose but of verse.
Since the 1960s, the general trend in lesbian poetry has been collective and political rather than purely aesthetic.
The fifteenth-century Italian scholar and poet Poliziano wrote many homoerotic Greek and Latin epigrams, published when he was seventeen.
The work of Australian lesbian poet Dorothy Porter presents a cheeky challenge to a literary establishment whose poetry has often been defined by pretension and obfuscation.
Bisexual artist Fairfield Porter is recognized as a major twentieth-century American Intimist painter.
Award-winning author Minnie Bruce Pratt has written moving and erotic poems and stories that explore sex and gender issues, as well as powerful essays that decry bigotry in its many forms.
Adrienne Rich, who aestheticized politics and politicized aesthetics, is America's most widely read lesbian poet.
Because his writing stresses liberation, the French "boy-poet" Arthur Rimbaud, whose art is based solely on his individual creativity, is a progenitor of modern gay poetics.
In his poetry and his dramatic farce Sodom, the Restoration rake Rochester depicts heterosexual love as imperfect or incomplete and offers homosexual intercourse as a natural alternative.
Poet, translator, literary and art critic, and short story writer, Edouard Roditi was associated with most of the twentieth-century's avant-garde literary movements from Surrealism to post-modernism.
Roman writers on homosexual or bisexual themes generally followed Greek models; but unlike the Greeks, Romans condoned sex with slaves.
Her sexuality repressed by religion, Christina Rossetti wrote poetry that included highly-charged erotic female-to-female affection.