Nonfiction
Extremely wealthy and connected to the aristocracy, British author and connoisseur William Beckford was ostracized by English society for the last sixty years of his life because of his homosexuality.
Born of an elite Victorian family, E. F. Benson was a prolific, often campy, writer of biographies, autobiographies, and novels, many of which were informed by homoeroticism.
The most notable law reformer in the English-speaking world, English philosopher, jurist, economist, and political scientist Jeremy Bentham argued for a tolerant attitude toward homosexuality in a series of papers first published in full in 1985.
An eminent professor and translator as well as a drama critic and playwright, Eric Bentley--whether writing from inside or outside the closet--has consistently supported the representation of same-sex desire in the theater.
A matriarch of fantasy and science fiction literature, Marion Zimmer Bradley also authored lesbian paperback pulps and articles for The Ladder and Mattachine Review.
Editor, photographer, and activist, Adolf Brand was the leader of a faction of the early German homosexual emancipation movement whose cultural views were expressed in Der Eigene (The Self-Owner), the first homosexual literary and artistic journal.
English novelist, essayist, and biographer Brigid Brophy was one of the 1960s' most daring voices in her explorations of the varieties of sexuality.
A feminist and a lesbian, Québécoise writer and editor Nicole Brossard creates texts that are radical in their approach to gender, sexuality, and literary convention.
Burned at the stake by the Roman Catholic Church, Italian philosopher Giordano Bruno has been seen as a martyr to religious intolerance; only recently has he also been recognized as a queer hero.
The English novelist Samuel Butler had a predilection for intense male friendships, which is reflected in several of his works.
Controversial for defending sadomasochism and pornography, gender outlaw and sexual anarchist Patrick Califia, who recently underwent gender reassignment, is widely admired as a defender of individual freedom.
Since the 1960s, Canadian gay and lesbian writers have produced a vibrant body of fiction, nonfiction, drama, and poetry.
Truman Capote's fiction and autobiographical works helped establish what might be called the quintessential homosexual writing style of the 1950s and 1960s.
Edward Carpenter, a champion of both women's and homosexuals' liberation, was one of the great socialist visionaries of England at the turn of the twentieth century.
The acclaimed prose style of travel writer and novelist Bruce Chatwin, a secretive bisexual, may have been developed as a means of hiding the truth of his sexuality.
French feminist theorist and novelist Hélène Cixous celebrates female homoeroticism and feminist solidarity.
Jamaican-born writer Michelle Cliff explores issues of race, class, and sexuality in her prose and poetry.
Carlo Coccioli, Italian-born trilingual writer and author of the landmark gay novel Fabrizio Lupo (1952), depicted the struggle to find and keep religious faith in spite of the absurdity of life and the propensity of human beings to dehumanize each other.
The coming out experience is so important to gay men and lesbians that it is a primary focus of much of their literature.
Award-winning writer Bernard Cooper blurs the boundaries between autobiography, essay, poetry, and fiction in his elegantly crafted works that focus on sexuality, memory, and growing up gay in the 1950s and 1960s.
Controversial writer Dennis Cooper is best known for his series of strikingly original, critically acclaimed, albeit transgressive and contentious, novels exploring the nature of sexual obsession, alienation, brutality, and death.
An important figure in the European occult movement of the late nineteenth and early twentieth centuries, Aleister Crowley was publicly reviled in his time, but he was recently cited by the BBC as one of England's most influential citizens.
In the last two centuries, Danish writers have explored gay male and lesbian issues both indirectly and directly.
Nineteenth-century Decadent literature either describes aspects of decadent life and society or reflects the decadent literary aesthetic.
Funnyman Frank DeCaro has found success both in serious journalism as a fashion writer and editor and in comedy as a writer, performer, and radio talk show host.