American Literature
One of the most accomplished poets of the twentieth century, W. H. Auden found that his gayness led him to new insights into the universal impulse to love and enlarged his understanding of all kinds of relationships.
In its first century of existence, gay male autobiography has become increasingly more open, frank, and unapologetic.
In the first century of its existence, lesbian autobiography has moved from being coded to being outspoken, and it is both wide ranging and contradictory in the stories that it tells.
Transgendered individuals have published autobiographies not only to tell or to clarify the stories of their lives, but also to educate others in an effort to gain greater acceptance for transgender people.
The contemporary literary awards given specifically to honor glbtq books may be seen as an outgrowth of the modern American gay rights movement, so intertwined are they with the movement for equality.
A leading contemporary American playwright, Jon Robin Baitz produces works that are both morally serious and politically conscious.
James Baldwin, a pioneering figure in twentieth-century literature, wrote sustained and articulate challenges to American racism and mandatory heterosexuality.
In a series of five interlinked pulp novels set in Greenwich Village and its homosexual bars in the late 1950s and early 1960s, Bannon provides an important record of lesbian life in a period when few women dared speak openly about homosexuality.
American novelist Djuna Barnes sought new forms of self-representation of lesbians in the face of society's compulsory heterosexuality.
Allen Barnett wrote stories unlikely to be surpassed for their depiction of gay life at the height of the AIDS pandemic.
In addition to being the muse and inspiration of other writers, American expatriate Natalie Barney, known as the Amazon, was a poet, memoirist, and epigrammatist in her own right.
James Barr is the pseudonym under which James Fugaté published the popular novel Quatrefoil (1950) and other works, and which he used as an activist in the homophile movement of the 1950s.
Through her Parisian bookshop and her editorial work, American expatriate and lesbian Sylvia Beach did much to influence the course of modern literature.
Through his writing, teaching, and public appearances, James Beard became widely recognized as one of the foremost representatives of American gastronomy; he planned to reveal his homosexuality in a memoir, but died before completing the book.
The writers of the Beat Generation, many of whom were gay or bisexual, endorsed gay rights as a part of their rebellion against inhibition and self-censorship.
An eminent professor and translator as well as a drama critic and playwright, Eric Bentley--whether writing from inside or outside the closet--has consistently supported the representation of same-sex desire in the theater.
Although Western culture's reliance upon binary systems of classification and identification has meant the practical erasure of bisexuality, as such, from literary and cultural analysis, bisexual experiences appear in many literary works from ancient times to the present.
Widely acknowledged as one of the finest twentieth-century American poets, Elizabeth Bishop encoded a lesbian identity in her poems.
American novelist, playwright, and short story writer Jane Bowles spent her life examining lesbian identity with an honest and sardonic wit.
Gay American expatriate composer, writer, and translator Paul Bowles liked to examine sexuality from a dispassionate perspective for its psychological suggestiveness.
A matriarch of fantasy and science fiction literature, Marion Zimmer Bradley also authored lesbian paperback pulps and articles for The Ladder and Mattachine Review.
Christopher Bram's novels address homosexual issues in a variety of periods and locales.
One of the first Jewish-American writers of his generation to write in English rather than Yiddish, Myron Brinig was also one of the first to create homosexual characters, though he remained publicly closeted all of his life.
Greek-born lesbian poet and translator Olga Broumas writes openly erotic poems that combine ancient Greek echoes and late twentieth-century idiom.
Lesbian poet and novelist Rita Mae Brown, best known for the highly successful Rubyfruit Jungle, resists neat categorization.
American novelist John Horne Burns used his outsider status as a homosexual to critique America's class-coded heterosexist morality and its ethnocentrism and marketplace mentality.
Both in his life and his novels, American writer William S. Burroughs was an outlaw and a provocateur, focusing on sexual repression as the fundamental element of social control and writing in a surrealistic and bitterly satirical mode.
It is impossible to understand twentieth-century lesbian literature without recognizing the significance of butch-femme relationships.
Controversial for defending sadomasochism and pornography, gender outlaw and sexual anarchist Patrick Califia, who recently underwent gender reassignment, is widely admired as a defender of individual freedom.
American writer Peter Cameron is renowned for his astute explorations of the shifting, impulsive emotions of his characters and for his elegant, intoxicating dialogue.
Combining elements of incongruity, theatricality, and exaggeration, camp is a form of humor that helps homosexuals cope with a hostile environment.
Truman Capote's fiction and autobiographical works helped establish what might be called the quintessential homosexual writing style of the 1950s and 1960s.
One of America's premier literary artists in the earlier twentieth century, Willa Cather reflected her own lesbianism in the creation of strong women characters and in the exploration of male homosexuality.
Jane Chambers was one of the first American playwrights to create openly lesbian characters who were comfortable with their own homosexuality.
John Cheever, who was bisexual, gradually came to invest homosexuality with redemptive and transforming powers.
Jamaican-born writer Michelle Cliff explores issues of race, class, and sexuality in her prose and poetry.
The Comedy of Manners, which flourished on the Restoration stage, has been particularly amenable to twentieth-century gay male writers as a vehicle for social satire in both dramatic and nondramatic works.
The coming out experience is so important to gay men and lesbians that it is a primary focus of much of their literature.
Since Stonewall, gay and lesbian drama has flourished, especially in the United States.
Award-winning writer Bernard Cooper blurs the boundaries between autobiography, essay, poetry, and fiction in his elegantly crafted works that focus on sexuality, memory, and growing up gay in the 1950s and 1960s.
Controversial writer Dennis Cooper is best known for his series of strikingly original, critically acclaimed, albeit transgressive and contentious, novels exploring the nature of sexual obsession, alienation, brutality, and death.
An intelligent observer and chronicler, and a master of poetic technique, Alfred Corn has been praised as one of his generation's finest poets and included in a line of gay visionary poets.
A successor to Walt Whitman, Hart Crane found spiritual transcendence in homoerotic desire.
Playwright Mart Crowley deserves honor for having blazed the trail for gay-themed theater with his 1969 groundbreaking play The Boys in the Band.
Countee Cullen, an important member of the Harlem Renaissance, has coded references to homosexuality in much of his poetry.
The acclaimed novelist Michael Cunningham examines gay culture within the context of the larger society.
Funnyman Frank DeCaro has found success both in serious journalism as a fashion writer and editor and in comedy as a writer, performer, and radio talk show host.
Writer of science fiction, memoirs, erotica, cultural studies, and postmodern criticism, and winner of multiple Nebula, Hugo, and Lambda Literary Awards, Samuel R. Delany is widely regarded as one of the finest science fiction writers of his generation.
Emily Dickinson's poems and letters to her sister-in-law Susan are both passionate and elusive in their homoeroticism.
Rather than standing apart from the experience of being African American because of his homosexuality, poet and novelist Melvin Dixon embraced his community and demanded that his community embrace him in return.